{"title":"PEDALS \u0026 EFFECTS","description":"","products":[{"product_id":"benson-germanium-preamp","title":"Benson Amps Germanium Preamp Pedal","description":"\u003cdiv class=\"product__details\" id=\"description\"\u003e\n\u003cp\u003eBenson Amps' Germanium Preamp Pedal delivers all the tonal triumph of their lauded Preamp Pedal, this time replacing the first FET transistor stage with a germanium circuit from their Germanium Boost pedal. Combining the warm and rich response of germanium with the depth of tone control in the original Preamp Pedal, the Germanium Preamp Pedal offers the best of both worlds: fuzzy germanium drive and the controlled punch of transistor circuits.\u003c\/p\u003e\n\u003cp\u003eCompared to the original Preamp Pedal, the Germanium model is slightly lower in gain, but jam-packed with tonal complexity. Whether you want a warmer option of their classic pedal or simply need a solid preamp for sizzling breakup in your guitar tone, the Germanium Preamp Pedal from Benson is a perfect choice.\u003c\/p\u003e\n\u003ch2\u003eGermanium Preamp Pedal Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePreamp pedal with germanium gain stage\u003c\/li\u003e\n\u003cli\u003eBased on the original Benson Preamp Pedal with germanium gain stage in place of the first FET transistor\u003c\/li\u003e\n\u003cli\u003eSlightly lower gain than original Preamp Pedal with richer, warmer tone\u003c\/li\u003e\n\u003cli\u003eGain, Treble, Bass, and Volume controls for dialing in the perfect amount of breakup and EQ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"product__info-short\" id=\"specification\"\u003e\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 4.5\" x 3.5\" x 2\" \/ 114.3 x 88.9 x 50.8 mm\u003c\/li\u003e\n\u003cli\u003ePower Specs: 9VDC center negative power supply or 9V battery (not included), 50 mA current draw\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"product__yotpo-reviews\"\u003e\n\u003cdiv class=\"yotpo-widget-instance\" data-yotpo-instance-id=\"703704\" data-yotpo-product-id=\"58444\" data-yotpo-name=\"Germanium Preamp Pedal\" data-yotpo-url=\"https:\/\/www.perfectcircuit.com\/benson-germanium-preamp-pedal.html\" data-yotpo-price=\"259\" data-yotpo-currency=\"USD\" data-yotpo-image-url=\"https:\/\/www.perfectcircuit.com\/media\/catalog\/product\/cache\/7eb369f27775f2db92648609527c34e5\/B\/e\/BensonAmps_Germanium-Preamp_01.jpg\" data-yotpo-description=\"Dimensions: 4.5\u0026amp;quot; x 3.5\u0026amp;quot; x 2\u0026amp;quot; \/ 114.3 x 88.9 x 50.8 mm\nPower Specs: 9VDC center negative power supply or 9V battery (not included), 50 mA current draw\" data-yotpo-element-loaded=\"true\" data-v-app=\"\"\u003e\n\u003cdiv id=\"yotpo-reviews-main-widget\" class=\"yotpo-reviews-main-widget yotpo-widget-override-css yotpo-device-desktop yotpo-display-l\" tabindex=\"-1\"\u003e\n\u003csection class=\"yotpo-widget-clear\" aria-labelledby=\"yotpo-headline-reviews\"\u003e\n\u003cdiv id=\"yotpo-app\"\u003e\n\u003cdiv class=\"yotpo-main-widget-layout yotpo-align-text\"\u003e\n\u003cdiv class=\"yotpo-base-layout\"\u003e\n\u003cdiv data-v-032a766c=\"\" class=\"yotpo-bold-layout yotpo-main-reviews-widget\" role=\"tabpanel\" id=\"yotpo-tabs-main-widget-tab-panel-0\" aria-labelledby=\"yotpo-tabs-main-widget-tab-0\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":49430290366787,"sku":"","price":319.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/BensonGermaniumPreamp.png?v=1769103732"},{"product_id":"29-pedals-flwr","title":"29 Pedals FLWR","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFLWR is, I guess, an overdrive! It makes gain, about 45dB, and can get up into fuzz territory at max settings. It’s designed to help you find your own breakup point, where pushing with the guitar breaks up nice and amp-y, but pulling back cleans up. The “SHAPE” controls affect the first gain stage, while the “GAIN” control affects the second gain stage. The clipping diodes are a modular sub-assembly, you can experiment and find your own magic arrangement. FLWR has a medium input impedance, so plugging right in will be a little warmer than when FLWR is following an input driver like EUNA. The output impedance is slightly higher to allow for interactions with other pedals. The WHATEVER power port accepts 7.5 to 35 volts of AC or DC in either polarity. FLWR is True-Bypass when switched off.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":49964585288003,"sku":"","price":349.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/29PedalsFLWR.png?v=1769104056"},{"product_id":"29-pedals-oamp","title":"29 Pedals OAMP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOAMP quickstart guide - It’s pronounced w-amp! OAMP is an output driver designed to replace a conventional output buffer or gain pedal at the end of your chain. If you’re familiar with EUNA, it’s a similar concept but with a few key differences. High headroom, clean gain, great drive capability. They key features are labeled below. There are subtle tonal variations in the gain settings. Maximum clean output level is 20dB. 29dB of gain available. OAMP makes enough gain to drive your amp into breakup without adding it’s own distortion, or you can use it to trim hot signals from your pedalboard. The insert loop is active when OAMP is OFF, so you can easily swap from clean drive to a dirt pedal, alternative preamp or anything you want really. With nothing plugged into the insert OAMP is True-Bypass when switched off.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":49964624544067,"sku":"","price":379.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/29PedalsOAMP.png?v=1769104401"},{"product_id":"29-pedals-euna","title":"29 Pedals EUNA","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEUNA is the Elite UNity Amplifier from 29 Pedals. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAn input driver that replaces a conventional buffer, EUNA is built to protect and condition your instrument's signal to prepare it for whatever you want to do with it. Console grade build, three great sounding filters, and an alt-path insert loop for your classic fuzz and wah circuits that don't want to be buffered. Also features the 29 Pedals WHATEVER power supply, which accepts 7.5 to 35 volts of AC or DC in either polarity with no change in tone. EUNA is made by 29 Pedals in California.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEven a few true-bypass pedals and 20' of cable can hang out your guitar's output and make it feel mushy and dark. Buffers can help, but they are often very simple circuits that create sonic issues of their own.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMeet EUNA!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEUNA is an Elite UNity Amplifier. It is designed to protect and condition your guitar’s signal. Use it in place of an input buffer. Plug directly in, first in the chain. You can safely remove all other buffers after it if you wish. We recommend an output driver at the end of your chain. You can use a conventional buffer, or try our output amplifier OAMP. Plug your guitar directly into EUNA with the shortest cable that is convenient.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEUNA features an effects loop that activates when EUNA is OFF. It was designed for use with vintage or vintage-style fuzz pedals. The interaction between your guitar and your fuzz is disturbed by any buffering, so EUNA’s effects loop allows you to switch between a buffered input and guitar-direct-to-fuzz. You can also use the loop to remove your tuner’s buffer from the signal chain. Let us know what other uses you find for the loop! If nothing is plugged in to the loop, the pedal is true-bypass when switched off.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEUNA features 29 Pedals’ WHATEVER power supply. The WHATEVER power supply accepts 7.5 to 35 volts of AC or DC (either polarity) with absolutely no change in tone. It’s true!!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEUNA has three sweetening circuits - Harmonics, Bright and Low. Low adds a little bit of low end. Not too much, just a little bit for some sweet oomf or to make up for low-end loss in your pedal chain. Bright adds some brightness, and Harmonics pushes the air band where guitar harmonics are. Harmonics adds sweet, tube-like chime to any rig.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEUNA preserves \"touchyness\" and \"snap.\" There is also an increase in effective dynamic range of your signal, and in some cases coil noise is reduced! The custom-tailored load kicks the resonant peak of your pickups out typically about 5 or 10k compared to a load of a few true-bypass switches and reasonable cabling. The pickup’s top-end rolloff is smoother too. You'll feel more chime and less pinchy top-end.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEUNA will take over +18dB input with extremely low THD* - many other pedals fold about +10dB or less! The extra headroom on the front end means that EUNA will pass through your entire signal. That extra headroom means that fast transients won't ever run out of room - no relatively normal electric guitar could clip this, even for an instant. It's absolutely flat from 10Hz to 50kHz, but all the above features create a perceived tone \"sweetness.\" EUNA can be modified to accept up to +22dB!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eConnect power to the WHATEVER power input with a standard DC plug. You can use AC or DC, either polarity, 7.5 to 35 volts. EUNA consumes about 100 mA.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUse the footswitch to engage or disengage EUNA. The light is brighter when EUNA is ON. When EUNA is OFF the insert loop is ACTIVE. If nothing is plugged into the insert loop, EUNA will be in True Bypass mode when switched off. You can connect a pedal to the Send\/Return jacks. Connect SEND to the INPUT of the pedal you want to connect. Connect RETURN to that pedal’s OUTPUT.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEUNA is very DIY friendly - the Opamp is socketed so you can very easily audition chips. Notes on the PCB will help experienced DIYers tailor EUNA completely to their rig. EUNA will drive down to 600 ohms perfectly flat, but there are a few places tweakers will delight in hacking. Remove only 4 screws and you can service\/mod the entire audio path without disturbing the power supply side or removing the board from the chassis.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe construction is a single 4 layer PCB with 2oz copper throughout. Huge traces and fully plated holes, like high-end recording equipment and hifi gear. This method provides superior fidelity and transmission. No jumper wires, fewer soldered connections, shorter paths, more copper. The power supply side is completely isolated from the audio side with a layer of shielding and separate ground planes connected at a single point in a proper star-ground configuration. No electrolytics in the signal path, only for PSU filtering. 1% thin-film resistors, WIMA film caps and other audiophile-grade components complete the short signal path.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e*THD better than 0.01% at +19dBu input \u0026amp; 10K Ohm load.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTHD better than 0.01% at +17dBu input \u0026amp; 600 Ohm load.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e125mm x 92mm or 4.875\" x 3.625\"\u003c\/span\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":49964648300867,"sku":"","price":349.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/29PedalsEUNA.png?v=1769104795"},{"product_id":"29-pedals-toki","title":"29 Pedals TOKI","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTOKI is a fuzz and fuzzy driver designed to deliver a wide range of textured gain sounds. Use the trim control to create “fuzz as light overdrive” sounds, hit both bright switches for some 70s glam riffs, find somewhere in between where you want to hang out. Discrete front end and IC back end for a versatile hybrid-fuzz experience. TRIM is a passive pad at the beginning of the circuit. CMP is a capacitor load control that can tweak the top-end of the signal. PAD is a passive pad between discrete gain stages. GAIN adjusts the drive of the second discrete gain stage and LEVEL is the final output control. The output driver is after the level fader to ensure that output impedance remains consistent. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTOKI maxes out at about 57 dB input-to-output gain, although internally it’s making more than that. It draws a little less than 100mA. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTOKI can be used after a buffer or input driver (like EUNA), and also can function as an always-on input driver at the beginning of the board if you like warm guitar tones. It stacks great with FLWR, JFET and OAMP. It will drive heavy loads, making it equally happy at the end of your board. The same WHATEVER power input and relay-based switching as our other pedals, and instant-bypass whenever power is removed. \u003c\/span\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52620736168259,"sku":"","price":349.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/PEDALSIZINGTEMPLATE.png?v=1769783510"},{"product_id":"29-pedals-jfet","title":"29 Pedals JFET","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJFET (jay-fet) is a boost pedal rooted in my love of the JFET transistor, long-loved in the world of audio for its similarities to vacuum tubes. As always for 29 Pedals it’s a ground-up design, from a blank sheet of paper, an effort to elevate the humble boost circuit to something refined and tonally enhanced.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e The JFET circuit has three modes, N for “normal,” where a typical boost might sit in terms of frequency response, almost a treble boost but not quite. “F” adds a little more weight, and “X”, my preferred mode. “X” mode flattens the circuit all the way down to below 10Hz, giving you an incredible feeling of weight without sounding like additive EQ. The extension in the frequency response also tightens the phase and gives you an incredible, solid feel. The L control sets the level, it’s a fader after the boost circuit and before the output driver. This means the gain of the first stage is set, and you can use the fader to set the level into the output stage, so THD, hair, and tone remain the same throughout the travel. The output driver after the fader ensures that the output impedance remains consistent. JFET makes about 19dB of gain.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJFET can be used after a buffer or input driver (like EUNA), and also can function as an always-on input driver at the beginning of the board. It sounds great following EUNA and also stacked with FLWR and OAMP. It will drive heavy loads and has high-headroom, making it equally happy at the end of your board. The same WHATEVER power input and relay-based switching as our other pedals, and instant-bypass whenever power is removed.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52620845842755,"sku":"","price":349.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/29Pedals_JFET_STOCK_1copy.jpg?v=1740150369"},{"product_id":"ac-noise-ricorda","title":"AC Noises Ricorda","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRICORDA means “remember” in second person imperative (tu, ricorda = you, remember).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMusic, like memories, has the ability to transport us to different times and places. It has the power to evoke emotions buried deep within us and stir memories long forgotten. Whether it's the first Xmas eve spent with our families, that road trip with friends, or the quiet moments alone with our thoughts, fragments of memories triggered by sounds and their reverberations can transport us back in time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBorn from the collaboration between AC noises and Andrea Degli Esposti from BunkerNoise, this effect pedal is the very first stereo unit of AC noises current catalogue.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDeveloped on an incredibly powerful DSP (which is often used in modular synthesizers industry more than the effects pedals one), RICORDA provides a multitude of parameters for sculpting and shaping the reverberant space. From controlling the density and size of the grains to modulating their feedback and stereo spread, the possibilities for sonic exploration are virtually limitless. With each adjustment, the reverberant environment evolves by revealing new dimen- sions and sonic possibilities, also thanks to the freeze\/loop feature and the “hidden” secondary mode as well.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTOGGLE SWITCH MONO \/ STEREO INPUT:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRICORDA can be used both in mono and stereo.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYou can choose between these two modes input by using the relative toggle switch.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn order to plug an instrument which provides a stereo output (L and R), use a TRS jack adapter to host both cables\/signals and then plug the TRS into RICORDA by leaving the toggle switch in stereo input position.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf the original signal from your instrument comes in mono (eg. guitar) leave the toggle switch in mono position. If using a mono output consider L \/ MONO only (there will be no signal from R when the effect is bypassed). Anyway, using both outputs allows to use the effect in stereo or dual mono.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRICORDA comes from the factory with a true stereo output. Anyway, it’s possible to convert the outuput in dual mono (so a sum of L+R in each channel when the pedal is engaged through the secondary mode (more details about secondary mode in page 3).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eREVERB PARAMETERS (PRIMARY)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMIX: it gives you flexibility in how much of the original sound you want to retain versus how much of the reverbe- rated sound you want to introduce.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDECAY: adjusts the duration of the reverb tail, which is the portion of the reverberation that continues after the initial sound has ceased. Turning the knob clockwise increases the decay time, resulting in a longer and more pronounced reverb tail. Conversely, turning it counterclockwise shor- tens the decay time, producing a tighter and more immedia- te reverb effect.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSIZE: it determines the size of the virtual space, affecting the duration and density of reflections. By turning this knob clockwise (past noon) the ambient perception increases, while turning it counterclockwise (before noon) the reverb’s tail goes in the opposite direction (reverse). By leaving the knob exactly at noon, you’ll be right in the middle of the reflection spot (no size) generating a sort of flanger-ish sound. \u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTONE \/ LP-HP: allow to adjust the frequency content of the reverberated audio signal (so it doesn’t affect the original dry signal). At noon, all the frequencies generated by your instrument will be processed and sent to the output.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGRANULAR PARAMETERS (PRIMARY)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMIX: as for the one related to the reverb, it controls how much of the original sound you want to retain versus how much of the processed sound (granular) you want to introduce.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNUMBER: increasing the grains number results in more grains being used, which can lead to denser, richer textures and more complex timbres. Conversely, decreasing the grains number reduces the density of grains, resulting in sparser textures and simpler timbres.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSIZE: same principle of the reverb’s size control. Grains can move forward (past noon) or in reverse (before noon).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTIME: it determines how close\/far the grains are collected in relation to the the original source. Going from 0 (time knob fully counterclockwise) onwards, grains are progressively collected further and further away, generating a delay between the original source and grains repetition.\u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTOGGLE SWITCHES\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e0 or +12: It allows you to determine in which semitone your grains must play. At 0, those will be reproduced according to the original octave, while in +12 (semitones) grains will play one octave up.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFreeze\/Loop: This is a crucial switch, not just for these 2 options but also for the secondary mode of RICORDA.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFREEZE\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFreeze mode refers to a technique where a momentary snapshot of an audio signal is captured and sustained infinitely. When freeze mode is activated (toggle switch on and then tap on the footswitch on the left - LED on -), the audio signal is essentially \"frozen\" at its current state, so basically the audio input is sampled and held. Considering all of the RICORDA parameters and sound capabilities, this feature is definitely the best one in order to create drones or intricate sonic landscapes. When FREEZE is engaged, it’s possible to play above the “frozen” portion in a full dry mode. To disengage the FREEZE mode, just tap again on the same footswitch (LED off).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLOOP\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen switching the function of the second footswitch it now controls the loop function.\u2028 RICORDA’s loop system provides up to 2 minutes of recording.\u2028 To record a loop, just tap the footswitch on the left once. At this point, the relative LED blinks to indicate that the pedal is in recor- ding mode. When tapping the same footswitch again, recording stops as the LED stops blinking and the loop starts to play.\u2028 Once a first loop has been recorded, it’s possible to overwrite new loops infinitely.\u2028\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAll of the subsequent loop layers refer to the recording time of the first one.\u2028 To delete a loop, just hold the relative footswitch for 2 seconds. Led will blink fast before turning off and the whole recording will be deleted.\u2028\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRICORDA’s loop system comes in “post” from the factory, that means that once recorded, the user can play the pedal in total different settings without effecting the loop.\u2028 Anyway, thanks to the secondary mode, loop mode can be switched to “pre” in order to be manipulated in real time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSECONDARY MODE\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRICORDA provides a sort of hidden feature called “secondary mode”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBy entering in this mode, all of the knobs and switches will control different parameters.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn secondary mode, parameters must be intended as described below.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eREVERB PARAMETERS IN SECONDARY MODE\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMIX DIFFUSE: controls the reverb’s spread and density. It essentially determines how \"spread out\" the reflections are in the simulated space.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDECAY LFO SPEED: it determines how quickly the LFO waveform repeats itself.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSIZE LFO DEPTH: it controls the amount of modulation applied by the LFO.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTONE \u0026amp; LP\/HP PRE-DELAY: it determines the delay time between the original sound signal and the onset of the reverberant sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGRANULAR PARAMETERS IN SECONDARY MODE\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMIX FEEDBACK: it controls the amount of the output signal that is fed back into the input of the effect process.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNUMBER SPRAY: it determines how much randomly the grains are distributed across the audio spectrum. This technique adds\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ean element of unpredictability and randomness, resulting in a more organic and varied sound texture.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSIZE STEREO SPREAD: it controls the width of stereo field. Increasing the value of this parameter spreads the grains further apart between the left and right channels, widening the stereo image.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTIME PITCH OFFSET: it modifies the pitch of each grain relative to the original pitch of the source material. Pitch offset can be adjusted within a range of 0 to 12 semitones. Adjusting the parameter within this range allows to control how much the pitch of the grains deviates from the original pitch of the source material.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTOGGLE SWITCHES IN SECONDARY MODE\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFREEZE\/LOOP POST-PRE position (LOOP): RICORDA’s loop system comes from the factory in “post” position, allowing the user to play above the loop without effecting the recording when tweaking knobs. When in secondary mode, it’s possible to switch to “PRE” by moving the freeze\/loop toggle switch to the right. In this case, when back to the primary mode, it will be possible to manipulate the whole recording (loop) by tweaking the relative knobs.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMONO\/STEREO DUAL MONO OUTPUT\/TRUE STEREO OUTPUT: RICORDA’s output comes from the factory in true stereo mode. While in secondary mode, move the mono\/stereo input toggle switch to the left in order to turn the output in dual mono (so a sum of L+R for each channel).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e0 +12 PRE-POST position (GRAINS): as factory settings, the granular side of RICORDA is placed before the reverb (pre). Move the 0 +12 toggle switch to the right to place that after the reverb instead (post).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDEFAULT SECONDARY SETTINGS:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDiffuse: 40%\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLFO Depth: 20%\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLFO Speed: 20% PreDelay: 20% GrainsFeedback: 20% Spray: 0%\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStereo Spread: 60% PitchOffset: 0\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUSB-C PORT:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWhen removing the backplate from the pedal, it’s possible to spot a vertical USB-C port on the bottom right of the board. When a new firmware will be available, just visit acnoises.com and follow the instructions.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52663972331843,"sku":"","price":429.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ACNoises_Ricorda_STOCK_1copy_b1387393-7085-4669-b81b-034ed43f4ddd.jpg?v=1740674651"},{"product_id":"ac-noises-ama-v2","title":"AC Noises AMA V2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAMA is an Italian verb which means \"love\" in second person imperative (tu, ama! = you, love!).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe first version of this effect pedal was released in early 2018 and it quickly became the top seller of the AC noises catalogue. In fact, during the consecutive two years, the AMA has been chosen from many alternative, post-rock, shoegaze and ambient artists (including some well known ones) and it's been featured (and mentioned several times) on the gear encyclopedia \"Pedal Crush\" in late 2019.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis new version (simply marked as V.2) is the result of the feedbacks we received from all around the world during the past two years and it's been created to provide the most exciting experience to all the sonic adventurers out there who love a gently modulated and oscillating spring reverb in front of a bit crusher.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe AMA V.2 offers up to 4 different control parameters for the reverb (OSC, MIX, REVERB and RAMP) and 2 for the re-worked and now more musical bit crusher which is still placed after the reverb (RESOLUTION and SAMPLE RATE).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNote: About the bit crusher, there is also an internal trimmer which controls the effect's gate. Anyway, we suggest to leave that as it comes from the factory.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOSC\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOne of the new features offered by the V.2.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn the first version, the reverb oscillator was only switchable (ON\/OFF) and it was strictly related to the decay. Now things have changed: the OSC knob allows to decide how much oscillation has to be noticed on the reverb tail, going from no oscillation at all (OSC knob fully counterclockwise) to the as wonderful as noisy self-oscillation mode (OSC knob fully clockwise).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMIX\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe MIX knob controls the balance between the dry and wet signal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTurning it clockwise, the percentage of reverberated signal will be more noticeable (and viceversa).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eREVERB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe REVERB knob controls the decay’s length.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTurning it clockwise, reverb tail will become longer (and viceversa).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRAMP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOne of the most exciting feature of the AMA V.2.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe RAMP footswitch is related to reverb's oscillator and its work speed depends on the OSC knob setting: more closed will be the OSC knob, slower will be the oscillator ramp (and viceversa).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCRUSH\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThat's the position of the toggle switch which allows to engage the bit crusher circuit placed after the reverb.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRESOLUTION\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe amount of the oscillation pulse. Turning it clockwise, pulses will be wider and signal will be noticed as less crushed (and viceversa).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSAMPLE RATE\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBit crusher internal oscillation frequency.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTurning it clockwise, the oscillation will be more focused on high frequencies and the bit crusher will be generally noticed as brighter.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnother new feature offered by this new version of the AMA is an expression input connected to the sample rate, which allows to bypass the knob and controlling the frequency's cut by using an external expression pedal (10k value recommended - so most of the expression pedals on the market).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe AMA is a true bypass pedal (switching system managed by soft switch + programmed relay).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePower: 9v center negative.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCurrent draw: 100 mA minimum\u003c\/span\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52664271470915,"sku":"","price":269.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ACNoisesAMAV2.png?v=1769106031"},{"product_id":"fairfield-circuitry-conflict-of-interest","title":"Fairfield Circuitry Conflict Of Interest","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnvelope Generator \u0026amp; Follower:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis pedal produces no sound. Instead, the signal passes through to generate a control voltage that can be used to breathe life into other pedals. The dynamics of your instrument translate to fluid and expressive movement.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVersatile CV source; envelope follower and generator, LFO, slew limiter. Compatible with either 1\/8″ or 1\/4″ expression\/control voltage inputs\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“We open in order to listen to the world as a field of possibilities and we listen with narrowed attention for specific things of vital interest to us in the world” - Pauline Oliveros\u003c\/span\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52667398717763,"sku":"","price":219.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitryConflictOfInterest.png?v=1769106247"},{"product_id":"fairfield-circuitry-board-member","title":"Fairfield Circuitry Board Member","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCV\/Expression Controlled Voltage Sag:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eenthusiastic (to learn) about governance… brilliant career move… independent governing (bodies)… ultimately responsible… make connections… you are liable… climb the ladder…\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVoltage controlling voltage. A new, much more annoying way of patching signals together. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePairs particularly well with modular\/semi-modular signals, giving LFOs, sequencers and (especially) envelopes new ways of interacting with pedals that don't have CV capabilities. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBipolar CV\/expression to either flake out or come alive. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUnexpected fuzz sounds, chirps and weird decays abound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is a volunteer position\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShips with a 28cm EBS flat DC-DC cable\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52667436532035,"sku":"","price":179.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitryBoardMember.png?v=1769680070"},{"product_id":"fairfield-circuitry-less-and-less","title":"Fairfield Circuitry Less and Less","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDual Attenuator:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEver wanted to send a LFO to your pedals CV\/Exp input only to be greeted by some dizzying untamed wobble. So have we.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLess \u0026amp; less is a nifty solution to add attenuation to\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCV\/Exp inputs and get signals to play nicely with one another. Quite useful to get most modular and semi-modular gear to be more polite.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBoth inputs are fully normalled, effectively making Less \u0026amp; Less a passive mult. A signal on either input is distributed to both outputs at varying strength. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUses a linear 50k potentiometer\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52667487748419,"sku":"","price":89.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitryLessandLess.png?v=1769680307"},{"product_id":"fairfield-circuitry-pb-j","title":"Fairfield Circuitry PB\u0026J","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCompact Patchbay:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePB \u0026amp; J is a 8 point patchbay in a convenient form factor.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA shop favourite, we've made a few for ourselves over the years and they've been much appreciated and very useful. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRearrange your pedals on the fly, try new orders and combinations, easily patch in some 1\/8\" sources and CV modulators, forget which input is which and make some creative mistakes. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll that good stuff. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt's just a patchbay, your creativity is the limit.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePeanut butter and Jacques.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTo use PB \u0026amp; J, you will need at least 4 eurorack style mini patch cables, sold separately.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52667540635971,"sku":"","price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitryPB_J.png?v=1769680587"},{"product_id":"fairfield-circuitry-either-or","title":"Fairfield Circuitry Either\/Or","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eExpression Toggle:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSimply toggles on or off a 50k potentiometer.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMost useful as a preset switch for expression inputs,\u0026amp;nbsp; allowing you to toggle between two different tremolo or delay time settings, for example.\u0026amp;nbsp;\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e(M)omentary or (L)atching\u003c\/span\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52667906949443,"sku":"","price":89.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitryEither_Or.png?v=1769681148"},{"product_id":"fairfield-circuitry-split","title":"Fairfield Circuitry Split!","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDual TRS Breakout:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA simple dual TRS (stereo) to TS 1\/8\" breakout, giving your modular and semi modular gear easy access to TRS CV jacks, such as the one on Randy's Revenge, greatly expanding it's capabilities.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYou can also hijack the EXP inputs of many popular pedals, giving you a solid 5V on the ring (assuming wiper-to-tip standard) and CV in on the tip. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52667935293763,"sku":"","price":89.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitrySplit.png?v=1769681294"},{"product_id":"fairfield-circuitry-roger-that","title":"Fairfield Circuitry Roger That RF Distortion Pedal","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"What we have here is a failure to communicate\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInspired by Roger Grant's idea to mimic loss of fm radio signal through the use of a simplified fm modulator\/demodulator scheme.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAs a young child, I would hide under the table when Roger came around. Later, when I first started in electronics, he gave me a bunch of parts, tools and bench equipment.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eControls interfere with demodulation accuracy resulting in familiar yet unexpected signal degradation and noise.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDecoherence at its finest.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCONTROLS:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTUNE:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLike turning the dial on your receiver, the TUNE parameter sweeps through a wide variety of sounds. From subtle artifacts, to extreme textures, noise and distortion. Summmed with CV at T input.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSHIFT:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShifts the accuracy of tracking the incoming modulated signal. Sometimes acts as a filter. Highly dependent on TUNE.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDRIVE:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eControls the input level, from clean to dirty. Pushing the DRIVE control generates extreme non-linearities from the modulator\/demodulator circuit. Affects both the wet and dry signals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWET:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAmount of wet signal at the output.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDRY:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAmount of dry signal at the output.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eR:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePreset range of the TUNE parameter:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1 - normal\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2 - extended\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eF:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eApply voice filter ~(300Hz-3kHz) to wet signal:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e0 - filter off \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1 - filter on\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCONNECTIONS:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIN:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1\/4\" Instrument input\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOUT:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1\/4\" Output\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eT:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1\/8\" CV input for TUNE\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e9V:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.1mm 9VDC centre-negative tip, \u0026gt;30 mA\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNOTES ON INTERACTIVITY\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• The TUNE, SHIFT, DRIVE and RANGE controls are highly interactive.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• The higher the DRIVE, the more artifacts will be generated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• TUNE is probably the widest, most non-linear, finest control ever included in our products. Micro adjustments here will drastically change the result of the demodulation.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• TUNE and SHIFT are mutually dependant, almost like they are the same control. By tweaking both, it almost seems like there is endless varieties of sounds.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• The RANGE switch shifts the whole palette of possibilities.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Wet signal path is intentionally out of phase allowing for special interactivity between WET, DRY and FILTER.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• If the original signal is still present on the wet side, adding dry signal will cancel it out leaving only the distortion artifacts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• If voice filter is activated in these same conditions, the result is a kind of mid-scoop instead of the usual bandpass.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFEATURES AND USES:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e•JFET pre-amp\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e•CV on TUNE\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e•RFI\/EMI approximator\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e•FM\/AM radio quality reducer\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e•volatile and unpredictable distortion •noise, pop, crackle and squeal generator \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e•impress your friends\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTECHNICALS:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• true bypass\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• dimensions 4.7\" x 3.8\" x 1.9\" \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• input impedance 1MΩ\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• output impedance 1kΩ\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• power supply 9 - 9.6VDC \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• current draw 30mA @ 9.6VDC\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52668033859907,"sku":"","price":369.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitryRogerThat.png?v=1769681557"},{"product_id":"fairfield-circuitry-900","title":"Fairfield Circuitry ~900","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e~900\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFour knob fuzz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"About Nine Hundred\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eControls:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eINPUT - preamp input level\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFUZZ - interstage level\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBIAS - second stage bias and gain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVOLUME - output level\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDescription:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe ~900 is a ferocious fuzz pedal featuring two cascading JFET gain stages. The ~900 is a spiritual successor to our discontinued Four Eyes Fuzz, having a similar fuzz circuit. This pedal has a very wide range of gain, brought to you by four interactive controls: INPUT, FUZZ, BIAS, VOLUME.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe INPUT section is a 'mu-amp' design. The INPUT knob controls the level going into this first gain stage - you can go from clean with lots of headroom, to completely slammed and distorted - and everything in between.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe FUZZ knob controls the level going into the second JFET gain stage. This section is very dependent on the level of the INPUT.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe BIAS knob adjusts the bias of the second gain stage. This gives control over the saturation symmetry, and can also allow gating when turned up high enough. The BIAS knob is especially interactive with the FUZZ knob. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe VOLUME controls the master volume output. This pedal has a lot of gain to offer\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eand can get quite loud.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe ~900 is an overall very versatile fuzz pedal. It stacks well with other pedals and is friendly to all sorts of instruments and signal levels. The INPUT especially will dictate how the pedal responds. At lower INPUT levels, the FUZZ will have a wide range of tones and interact heavily with the BIAS knob. When the INPUT is raised high, the FUZZ and BIAS will be a bit less responsive - but at that point you will be experiencin if g a thick wall of distortion\/fuzz.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSincerely,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFairfield Circuitry\u003c\/span\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52668102148419,"sku":"","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitry_900.png?v=1769681711"},{"product_id":"fairfield-circuitry-long-life","title":"Fairfield Circuitry Long Life","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLONG LIFE\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eParametric EQ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ew\/ tilt \u0026amp; CV\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA state-variable filter with wide range and application. Versatile. Combining tilt and notch\/boost equalization around a 2nd-order (-12dB\/octave) state-variable core.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVery much a one-band parametric equalizer with gritty extras:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Shelving filter, from low-pass to high-pass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• CV inputs for resonance (Q) and frequency (F)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• V\/octave scaling synthesizer interface\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Fully variable Q goes well into tasty sweet self-oscillations\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Soft clip zener zesty mordant\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Expression pedal input controls center frequency\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elong life\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethe wild pines want it too\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-Ikkyu\u003c\/span\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52668162638147,"sku":"","price":369.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitryLongLife.png?v=1769682875"},{"product_id":"fairfield-circuitry-hors-doeuvre","title":"Fairfield Circuitry Hors D'oeuvre?","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHORS D'OEUVRE?\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eActive Feedback Loop\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAs you wait for the next tray of free food on platters held by white gloves, notice the contrasts that emerge from the hunger and tension within the space. Will we remember what it takes to keep us here?\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIndeed, causality breaks down when feedback loops are involved. The effect nestled within the cause, without cause, and so on. There is no beginning or end, at least objectively. And so, who eats the last hors d'œuvre, when time is space and silence is noise\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Hors d'Oeuvre? Active Feedback Loop then serves different opportunities to create and listen to: bipolar feedback of any combination of sound processing devices, and signal difference of input and return signals.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt is intentionally an introduction.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52668205760835,"sku":"","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitryHorsD_oeuvre.png?v=1769683244"},{"product_id":"fairfield-circuitry-shallow-water","title":"Fairfield Circuitry Shallow Water Lo-Fi Effect Pedal","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePoolside conversations while staring at your own reflection. The depths of which shall never be known, at least not for another couple thousand years. So it goes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBefore the reflection, is the experience. Before phenomena, or even noumena, is that which is undefinable. That which has never been heard, that which will never be heard again and that which has always been heard but never listened to.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eK-field (Simulation mathematics), an undefined, two-dimensional, non-linear field where past and future forces interact at irregular intervals. Shallow Water generates this k-field by randomly modulating a short time delay to create unexpected shifts in pitch. The result is this non cyclical vibrato\/chorus\/flanger-type thing favouring old tape flavours.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe water is shallow on this side of the pool. Do not dive and you will not drown.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52668385591619,"sku":"","price":369.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitryShallowWater.png?v=1769683420"},{"product_id":"fairfield-circuitry-meet-maude","title":"Fairfield Circuitry Meet Maude Analog Delay Pedal","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eImparting a dark and tape-like quality to your sound, this analogue delay offers a rich and distinct character for you to wallow in luxury, self-righteousness and filth. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUsing the tone and feedback controls, you can shape your repeats to be much more than simple reproductions of the input. Play right on the threshold of feedback, which you can mold as a low thundering growl or screeching wail, or let your echo slowly die out as the dynamic output filter gets darker every repeat.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA random delay time modulation adds a true tape feel to the delay, like a reel-to-reel motor spinning not quite perfectly. Full CV capabilities allow you to control delay time and\/or feedback with any external source, like an expression pedal.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52668425142595,"sku":"","price":399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitryMeetMaude.png?v=1769099850"},{"product_id":"fairfield-circuitry-the-accountant","title":"Fairfield Circuitry The Accountant","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEvery operation needs an accountant, and your signal chain is no exception. This little guy will fit right in, no questions asked. Call upon his services to crunch numbers, cook your books and calculate ratios in all confidence that your shit will remain tight.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe’re talking about a mostly utilitarian relationship here, but one of trust as well. Whether you enjoy slight, nuanced dynamics control or you just want to squeeze your signal into one dimension, you'll find a use for The Accountant.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing all analogue, JFET feedback compression, The Accountant works well with all signal sources; guitars, bass, vocals, synths, even whole mixes. A simple control interface allows you to change the threshold, compression ratio and makeup gain.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52668470198595,"sku":"","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitryTheAccountant.png?v=1769683632"},{"product_id":"fairfield-circuitry-the-barbershop","title":"Fairfield Circuitry The Barbershop","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRepresent the new millenia with this brand new take on our coveted Barbershop.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHave you ever sat in a barber's chair wishing your tone was as slick as your freshly shaved upper lip? With the Barbershop Overdrive on your pedalboard, you could keep your moustache and sound good doing it.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLess is more with this simple, original design. Handmade from JFETs matched to specs, this versatile pedal will treat your pickups with the respect they deserve. In return, they’ll thank you with some of them sweet tones.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52668509585731,"sku":"","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitryTheBarbershop.png?v=1769683803"},{"product_id":"fairfield-circuitry-randys-revenge","title":"Fairfield Circuitry Randy's Revenge Ring Modulator Pedal","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAt its finest, in a considerably small package, powered by your typical 9V power supply, all analogue, hand stamped, pure sine wave oscillator, low-pass filtered with a touch of class and apparently musical. These are the requirements of warp speed space travel; a regular occurrence when dealing with Randy's hardware. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe lower oscillator frequencies create rich trem\/vibe effects, excruciatingly slow or chopped up rhythmic flavours. As the frequency goes up, thick bells, tuned intervals, low-fidelity synth-like effects are only the beginning. Experimenting with the low-pass filter cutoff frequency and the dry\/wet mix will yield tones as strange or subtle as desired.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing expanded control voltage (CV) capabilities that allow for interactions beyond the simple stacking of effects, Randy can be used to control and be controlled by other CV capable devices. The stereo CV is switch-programmable for use with an expression pedal or as a 2-channel CV port. Both the oscillator and low-pass filter frequency are voltage-controllable. The internal oscillator is also available as an output, turning Randy into a stand-alone voltage-controlled oscillator (VCO). \u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52668566896963,"sku":"","price":369.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitryRandy_sRevenge.png?v=1769684022"},{"product_id":"fairfield-circuitry-the-unpleasant-surprise","title":"Fairfield Circuitry The Unpleasant Surprise","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReminisce about the time you got your shoulder caught in the reciprocating saw while this unit destroys your slick jazz lines. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe fruit of an oddball circuit, hanging there awkwardly by some parasitic effect. Tweaked, bended and shoe-horned to optimize it's stench, it's unpleasance. Time has come to turn all dynamics to shit. Strangely, it feels very natural.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52668606218563,"sku":"","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitryTheUnpleasantSurprise.png?v=1769684142"},{"product_id":"fairfield-circuitry-modele-b","title":"Fairfield Circuitry Modèle B","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFor everyone out there who nevers turns off their Barbershop, this is for you. The same circuit in a tiny box, no bypass switch, no light. You can select between two tone options via a jumper inside the pedal:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eflat and wide, like the original Barbershop, like the middle tone position of the Millenium Edition\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elight, high frequency cut, like the right tone position of the Millenium Edition\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlways on, never off, this is serious.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52668673622339,"sku":"","price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FairfieldCircuitryModeleB.png?v=1769684367"},{"product_id":"benson-amps-florist-yellowd","title":"Benson Amps Florist Dynamic Modulator Pedal (Yellow)","description":"\u003cp\u003eFlorist is a pedal collaboration between Benson and Non-Human Audio that brings you a unique modulated delay type effect. Loosely based on the Slow Loris pedal, Florist uses two delay lines that are influenced by the input audio. Both delay lines use a different detector circuit to create some otherworldly chorus and flanger effects. Blend in the dry and the two delay lines independently, each with independent intensity controls for subtle movement to warbled lofi. An added Ghosts footswitch will add feedback into the delay lines for a modulated reverb-like effect. An effortlessly playable effect, Florist from Benson and Non-Human Audio is an incredibly unique pedal that can add a little bit of spice to any signal chain.\u003c\/p\u003e\n\u003ch2\u003eFlorist Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDynamically modulated dual delay line pedal\u003c\/li\u003e\n\u003cli\u003eControls for Dry, Wet A, Wet B, Intensity A, and Intensity B\u003c\/li\u003e\n\u003cli\u003eEasily generate chorus and flanger effects as well as modulated reverbs\u003c\/li\u003e\n\u003cli\u003eGhosts pedal introduces feedback into the delay lines for more ethereal sounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"product__info-short\" id=\"specification\"\u003e\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: TBD\u003c\/li\u003e\n\u003cli\u003ePower Specs: 9VDC center negative, 50mA current draw\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52669304144195,"sku":"","price":319.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/BensonAmpsFlorist_Yellow.png?v=1769684504"},{"product_id":"benson-amps-ștorkn-b0ks","title":"Benson Amps ȘTÖRKN B0kš","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe ȘTÖRKN B0kš is a modified\/ augmented version of our Stonk Box pedal, created in collaboration with the main inspiration of the Stonk Box, legendary experimental guitarist and composer David Torn! ȘTÖRKN B0kš is a confused\/- confusing and vaguely nordic mashup of \"Stonk Box\" and \"Torn\". It utilizes our automatic thermal bias, so after plugging it into power (9vdc only), it will take 2-3 minutes on average to sound correct. The color of the LED indicator light might change. Don’t turn the internal trimmer. \u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe ȘTÖRKN B0kš started as a tweaked version of the Stonk Box, our heavily modified version of a Tone Bender mk1 Fuzz. When designing the Stonk, we reached out to David to help, since he is one of the most famous and discerning users of that original 60s circuit. David loved what we came up with, but for his personal pedal he requested more bass on tap, mostly for amplifying the sub frequencies of his down tuned guitars. We added a variable bass control, that effectively fades between the thinned out bass sound of the first version of the Zonk Machine (what the Stonk comes with stock), and the wide open sound of the mk1. The addition of more bass allows for even more gnarly, gated, gnarly and crushing Fuzz Tones than the Stonk Box could do stock. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe other major difference between the Stonk and the ȘTÖRKN B0kš is the addition of a unique positive feedback switch. Knowing David and other unconventional guitarists were going to get a little weird with the pedal, Chris applied a misremembered idea from his lead tech and unconventional guitarist in his own right Carson McWhirter.... He used a diode network in the oscillation path to get weird sub tones, synthy filter sounds and basically the ability to ruin a perfectly good set with the press of a button. It is powerful magic. We honestly can't recommend pressing this button, but if you do, use the fuzz right after your guitar, and make sure to twist every knob including your onboard volume and tone. We won't spoil it for you, but I know we haven't found all the sounds in there yet. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAUTOMATIC THERMAL BIAS TECHNOLOGY\u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe bias of the transistors in this pedal is automatically regulated by a circuit that GENTLY warms the Germanium transistors (2N404 OR 2N527) to a preset operating point using analog components, and ensures a consistent sound, no matter the external temperature. When the LED is amber, the transistors are warming up to increase their hFE (transistor gain) and to shift the bias point to the correct voltage. When the LED turns green, the warmer is off because the correct bias and hFE have been set. Expect the LED to toggle back and forth every so often while the pedal is on...that is how you know it's working. The heaters will warm the transistors enough to still be effective on a summer stage, but far cooler than anything that would harm the transistors. This pedal is designed to operate between freezing and 100F but might still sound fine outside this range....up to about 120F where we’ve found germanium straight up ceases to function...which can happen if it’s left in the sun. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eINTERNAL TRIMMER\u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePlease don’t turn the internal trimmer. It is precisely set at our factory. Turning the trimmer voids the warranty. The correct trimmer position is marked in case you get one used where a tone lord hath already turnt it. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePOWER SUPPLY\u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis pedal is for use only with a 9vdc Boss syle center negative power supply...There is no battery. Please do not subject this pedal to more than 9vdc or the pedal or power supply could be destroyed. This pedal draws less than 100ma when the heater is engaged, and far less than that when it is off. It will pull those 100ma instantaneously, which most power supplies have no issue with. With substandard or non standard power supplies it is possible the pedal will start oscillat- ing madly at the heater threshhold, where the LED changes, in which case may we suggest using a current doubler cable, or switching to a higher rated power output. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52669347758403,"sku":"","price":359.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/BensonAmps_TORKNB0ks.png?v=1769684665"},{"product_id":"benson-amps-delay","title":"Benson Amps Delay PT2399 Echo Pedal","description":"\u003cp\u003eWhile it's not an amp or overdrive pedal, the Benson Delay proves that they're more than capable of engineering any type of pedal and achieving wonderful results. Like many other great pedals, this Delay is based on the famous PT2399 chip. However, Benson has placed much care in how signals are conditioned throughout the pedal, that this Delay transcends beyond your expectations of how this delay chip should sound. Delay times range from 30ms to over 1.2 seconds, allowing you to cover the range of chorus and slapback to long, decaying echoes. Of course, you can set times manually, but nifty circuitry has been implemented to allow the PT2399 to accept tap tempo from the dedicated Tap\/Hold switch. Hold this switch down to blast off into space with feedback swells, and crank up the LFO speed and depth for seasick warbles. Choosing a delay pedal by an amp maker might not be your first thought, but the same thoughtfulness and care in design translate into the Benson Delay, and the results are remarkable.\u003c\/p\u003e\n\u003ch2\u003eDelay Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAnalog-inspired digital delay pedal\u003c\/li\u003e\n\u003cli\u003ePT2399-based design\u003c\/li\u003e\n\u003cli\u003eDelay times range from 30-1250ms\u003c\/li\u003e\n\u003cli\u003eSet times manually or via tap tempo\u003c\/li\u003e\n\u003cli\u003eOnboard LFO with speed and depth controls\u003c\/li\u003e\n\u003cli\u003eSecret menu settings allow for the selection of LFO waveform and Tap division ranges\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"product__info-short\" id=\"specification\"\u003e\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: TBD\u003c\/li\u003e\n\u003cli\u003ePower Specs: 9VDC center negative, 100mA current draw\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52669583229251,"sku":"","price":359.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/bensonampsdelay.png?v=1769099054"},{"product_id":"benson-amps-stonk-box","title":"Benson Amps Stonk Box","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Stonk Box is our second Automatic Thermally Bias fuzz pedal, so after plugging it into power (9vdc only), it will take 2-3 minutes on average to sound correct. The color of the LED indicator light might change. Don’t turn the internal trimmer. THAT’S IT. Read on if you would like to...there’s some good stuff.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSUMMARY:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike the Germanium Fuzz before it, the Stonk Box attempts to take a classic 1960’s fuzz design, and bring the sound into the modern world without bringing any along the flaws and inconsistencies of the original. In this case, we set our eyes on the MK1 fuzz (which is itself a modified version of the very first fuzz ever). We kept the original controls (FILTER and VOLUME), and added a TONE control and a TRIM control to expand the palette of sounds available. Buffer and pedal order friendly (but with no pickup simulation, we had to tweak the output circuit this time). The original circuit is considered one of the hardest of the classic fuzzes to get right because of the difficulty in transistor selec- tion...with our patented technology we can do it easily and consistently...for the first time ever!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAUTOMATIC THERMAL BIAS TECHNOLOGY:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe bias of the transistors in this pedal is automatically regulated by a circuit that GENTLY warms the Germanium transistors (2N404 OR 2N527) to a preset operating point using analog components, and ensures a consistent sound, no matter the external temperature. When the LED is amber, the transistors are warming up to increase their hFE (transistor gain) and to shift the bias point to the correct voltage. When the LED turns green, the warmer is off because the correct bias and hFE have been set. Expect the LED to toggle back and forth every so often while the pedal is on...that is how you know its working. The heaters will warm the transistors enough to still be effective on a summer stage, but far cooler than anything that would harm the transistors. This pedal is designed to operate between freezing and 100F but might still sound fine outside this range....up to about 120F where we’ve found germanium straight up ceases to function...which can happen if it’s left in the sun.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCONTROLS:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTRIM is a gain control right before the two amplifying germanium transistors...turned all the way up is how the stock design is all the time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFILTER manipulates both the gain and the bias point of the first gain stage. When turned down it will take away gain, bass frequency response, and will bring in to a gentle dynamic expander type effect (where quiet notes will be quieter than normal, the opposite of a compressor) TRIM and FILTER are interactive and there are many different flavors of fuzz and distortion to dial in. This pedal will not clean all the way up, even at low trim volumes there will be some distortion (in a nice way).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTONE is a low pass filter at the end of the circuit, carefully designed to act almost like a tilt EQ to balance the bright attack and full body of the sound, made possible by the original circuit being WAY brighter than the bypassed guitar signal...we think we’ve struck a good balance here.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVOLUME is the output level...which we’ve increased many orders of magnitude from the original. We took the training wheels off so you can push the front end of your amp into sonic madness (if you want). NOTE: this user-beware approch can also lead to settings with a high noise floor. Please remember, this is a crazy and primitive fuzz at its heart...not a piece of pristine recording equipment. Let’s just say there were good reasons for the next four historic revisions of this particular product. If you are concerning people with a high level of hiss and noise, that’s a feature not a bug. It’s fuzz.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eINTERNAL TRIMMER\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePlease don’t turn the internal trimmer. It is precisely set at our factory. Turning the trimmer voids the warranty. The correct trimmer position is marked in case you get one used where a tone lord hath already turnt it.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePOWER SUPPLY\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis pedal is for use only with a 9vdc Boss syle center negative power supply...There is no battery. Please do not subject this pedal to more than 9vdc or the pedal or power supply could be destroyed. This pedal draws less than 100ma when the heater is engaged, and far less than that when it is off. It will pull those 100ma instantaneously, which most power supplies have no issue with. With substandard or non standard power supplies it is possible the pedal will start oscillat- ing madly at the heater threshhold, where the LED changes, in which case may we suggest using a current doubler cable, or switching to a higher rated power output.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52669593256259,"sku":"","price":349.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/BensonAmpsStonkBox.png?v=1769686288"},{"product_id":"benson-amps-germanium-boost","title":"Benson Amps Germanium Boost","description":"\u003cp\u003eGermanium Boost from Benson Amps is a high quality boost pedal that features all the positives of Germanium without any of the hassles it endures. Originally designed to be part of their Germanium Fuzz pedal, the main component that solidifies Germanium Boost's fantastic performance is its voltage-controlled error compensation. This feature not only protects the germanium transistor from the effects of temperature sensitivity, drift, and issues with input impedance, but Benson Amps has also made it so the input headroom was increased for less unwanted input distortion. After 10 seconds from powering on the Germanium Boost, you'll have a full correction on any undesirable biases and be set for an amazing tone that'll drive any amp into insane territories.\u003c\/p\u003e\n\u003ch2\u003eGermanium Boost Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eGermanium boost pedal\u003c\/li\u003e\n\u003cli\u003eWide gain range for solidifying your inputs and pushing your amps\u003c\/li\u003e\n\u003cli\u003eVoltage controlled error compensation achieves stable boost, meaning no component drift, headroom issues, or sensitivity to temperature\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"product__info-short\" id=\"specification\"\u003e\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 1.8 x 2.4 x 4.3 in\u003c\/li\u003e\n\u003cli\u003ePower Specs: 9VDC center-negative (PSU not included)—space for 9V battery internally\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52669660987715,"sku":"","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/BensonAmpsGermaniumBoost.png?v=1769686582"},{"product_id":"benson-amps-studio-black-fuzz","title":"Benson Amps Studio Black Fuzz","description":"\u003cdiv class=\"labelCellPair hover-container labelCellPair--formModeV2 flex\"\u003e\n\u003cdiv class=\"cellContainer\"\u003e\n\u003cdiv data-columntype=\"multilineText\" aria-readonly=\"true\" data-testid=\"cell-editor\"\u003e\n\u003cdiv class=\"flex-auto flex baymax\"\u003e\n\u003cdiv class=\"flex flex-auto flex-column readOnly readFirstMultilineTextCellEditor formModeV2MultilineTextCellEditor visualRefresh2022 rounded-big\"\u003e\n\u003cdiv class=\"col-12 contentEditableTextboxContainer\"\u003e\n\u003cdiv aria-multiline=\"true\" role=\"textbox\" class=\"contentEditableTextbox light-scrollbar ignore-baymax-defaults pb-half editingDisabled\"\u003eTHE BASICS\u003cbr\u003eThe Germanium Fuzz is a fuzz pedal. The knobs change the sounds. IMPORTANT: after plugging it into power (9vdc\u003cbr\u003eonly), it will take 2-3 minutes on average to sound correct. Good time to tune your guitar and grab a beverage. The\u003cbr\u003ecolor of the LED indicator light might change. Don’t turn the internal trimmer. THAT’S IT. Read on only if you want\u003cbr\u003esome excellent primary source material for an online fuzz thesis.\u003cbr\u003e\u003cbr\u003eSUMMARY\u003cbr\u003eThis pedal is designed around two germanium 2N527 OR 2N404 Germanium Transistors. They have been graded for\u003cbr\u003egain and leakage and carefully matched to sound their best. They are set up in the ubiquitous 60’s circular fuzz\u003cbr\u003etopology, and tuned for good sound, and include some additional oddities aimed at solving the issues that prevent\u003cbr\u003emore widespread use of Germanium devices....detailed below.\u003cbr\u003e\u003cbr\u003eTHE FIRST FUZZ PEDAL WITH AUTOMATIC THERMAL BIAS TECHNOLOGY\u003cbr\u003eThe bias of the transistors in this pedal is automatically regulated by a circuit that GENTLY warms the transistors to a\u003cbr\u003epreset operating point using analog components, and ensures a consistent sound, no matter the external temperature.\u003cbr\u003eWhen the LED is orange, the transistors are warming up to increase their hFE (transistor gain) and to shift the bias point\u003cbr\u003eto the correct voltage. When the LED turns green, the warmer is off because the correct bias and hFE have been set.\u003cbr\u003eExpect the LED to toggle back and forth every so often while the pedal is on…that is how you know its working. The\u003cbr\u003eheaters will warm the transistors enough to still be effective on a sunny stage, but far cooler than anything that would\u003cbr\u003eharm the transistors. This pedal is designed to operate between freezing and 100˚F but might still sound ne outside\u003cbr\u003ethis range. There are two colors: Studio Black is not meant for direct sunlight, Solar White is new with it. We have\u003cbr\u003efound there is a 20˚F difference between a black pedal and a white pedal in direct sunlight.\u003cbr\u003e\u003cbr\u003eINPUT IMPEDANCE\u003cbr\u003eThe low input impedance of the classic two transistor germanium fuzz circuit is both a blessing and a curse….a blessing because it can yield a tight sparkly clean tone when guitar volume is rolled down, and a curse because it sounds\u003cbr\u003enasty (in a bad way) if there are buffers or pedals before it in a signal chain. We went to some extremes to keep the\u003cbr\u003eblessing and lose the curse.\u003cbr\u003eWe installed a class A buffer in the very input of the Germanium Fuzz. This buffer feeds a pickup simulator circuit (an\u003cbr\u003eaudio transformer set up as an inductor, a resistor, and a capacitor). These two additions make compatibility with\u003cbr\u003eother pedals possible without losing the desired sound. After the pickup simulator circuit, we have added an “Impedance” control, which simulates rolling down the guitar volume to get that tight sparkly sound…without adjusting your\u003cbr\u003eguitar volume….which you can still do and still sounds great.\u003cbr\u003e\u003cbr\u003eGAIN RANGE\u003cbr\u003eThe circuit has been tuned to be used as a rich sounding clean boost, an overdrive, all the way up to an aggressive\u003cbr\u003efuzz with some octave overtones. There are many colors of tone available with the impedance and gain\u003cbr\u003econtrols…they are very interactive. This is meant as a “pretty” fuzz a la 60’s-70’s classic rock\/psychedelic rock. It is\u003cbr\u003enot a spitty, harsh experimental fuzz and more often sounds like an overdrive or distortion (unless it’s turned all the\u003cbr\u003eway up). We call it a fuzz because it has a fuzzy character but it is so much more.\u003cbr\u003e\u003cbr\u003eINTERNAL TRIMMER\u003cbr\u003eDon’t turn the internal trimmer. It is precisely set at our factory. Turning the trimmer voids the warranty. The correct\u003cbr\u003etrimmer position is marked in case you get one used where someone turned it. \u003cbr\u003e\u003cbr\u003ePOWER SUPPLY\u003cbr\u003eThis pedal is for use only with a 9vdc Boss style center negative power supply...There is no battery. Please do not\u003cbr\u003esubject this pedal to more than 9vdc or the pedal or power supply could be destroyed. This pedal only draws 70ma\u003cbr\u003ewhen the heater is engaged, and far less than that when it is off. It will pull those 70ma instantaneously, which most\u003cbr\u003epower supplies have no issue with. With substandard or non standard power supplies it is possible the pedal will start\u003cbr\u003eoscillating madly at the heater threshold, where the LED changes.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"labelCellPair hover-container labelCellPair--formModeV2 flex\"\u003e\n\u003cdiv class=\"labelContainer mr2 mt-half\"\u003e\n\u003cdiv class=\"flex pointer\" role=\"button\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex-auto flex-inline items-baseline\"\u003e\n\u003cdiv class=\"fieldLabel quiet text-dark fit break-word white-space-normal hyphens\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cellContainer\"\u003e\n\u003cdiv data-columntype=\"text\" aria-readonly=\"true\" data-testid=\"cell-editor\"\u003e\n\u003cdiv class=\"flex-auto flex baymax\"\u003e\n\u003cdiv class=\"flex-auto width-full overflow-hidden pre-wrap break-word text-color-default text-size-default colors-background-raised-control stroked1-inset-thin stroked-blue-inset-outset-focus colors-background-subtler rounded-big px1 css-1jhs511 line-height-4 no-user-select\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"labelCellPair hover-container labelCellPair--formModeV2 flex\"\u003e\n\u003cdiv class=\"labelContainer mr2 mt-half\"\u003e\n\u003cdiv class=\"flex pointer\" role=\"button\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex-auto flex-inline items-baseline\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52669716136259,"sku":"","price":365.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/BensonAmpsStudioBlackFuzz.png?v=1769686731"},{"product_id":"benson-amps-solar-white-fuzz","title":"Benson Amps Solar White Fuzz","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTHE BASICS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Germanium Fuzz is a fuzz pedal. The knobs change the sounds. IMPORTANT: after plugging it into power (9vdc\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eonly), it will take 2-3 minutes on average to sound correct. Good time to tune your guitar and grab a beverage. The\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ecolor of the LED indicator light might change. Don’t turn the internal trimmer. THAT’S IT. Read on only if you want\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esome excellent primary source material for an online fuzz thesis.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSUMMARY\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis pedal is designed around two germanium 2N527 OR 2N404 Germanium Transistors. They have been graded for\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003egain and leakage and carefully matched to sound their best. They are set up in the ubiquitous 60’s circular fuzz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003etopology, and tuned for good sound, and include some additional oddities aimed at solving the issues that prevent\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003emore widespread use of Germanium devices....detailed below.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTHE FIRST FUZZ PEDAL WITH AUTOMATIC THERMAL BIAS TECHNOLOGY\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe bias of the transistors in this pedal is automatically regulated by a circuit that GENTLY warms the transistors to a\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003epreset operating point using analog components, and ensures a consistent sound, no matter the external temperature.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWhen the LED is orange, the transistors are warming up to increase their hFE (transistor gain) and to shift the bias point\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eto the correct voltage. When the LED turns green, the warmer is off because the correct bias and hFE have been set.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExpect the LED to toggle back and forth every so often while the pedal is on…that is how you know its working. The\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eheaters will warm the transistors enough to still be effective on a sunny stage, but far cooler than anything that would\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eharm the transistors. This pedal is designed to operate between freezing and 100˚F but might still sound ne outside\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethis range. There are two colors: Studio Black is not meant for direct sunlight, Solar White is new with it. We have\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003efound there is a 20˚F difference between a black pedal and a white pedal in direct sunlight.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eINPUT IMPEDANCE\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe low input impedance of the classic two transistor germanium fuzz circuit is both a blessing and a curse….a blessing because it can yield a tight sparkly clean tone when guitar volume is rolled down, and a curse because it sounds\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003enasty (in a bad way) if there are buffers or pedals before it in a signal chain. We went to some extremes to keep the\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eblessing and lose the curse.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWe installed a class A buffer in the very input of the Germanium Fuzz. This buffer feeds a pickup simulator circuit (an\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eaudio transformer set up as an inductor, a resistor, and a capacitor). These two additions make compatibility with\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eother pedals possible without losing the desired sound. After the pickup simulator circuit, we have added an “Impedance” control, which simulates rolling down the guitar volume to get that tight sparkly sound…without adjusting your\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eguitar volume….which you can still do and still sounds great.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGAIN RANGE\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe circuit has been tuned to be used as a rich sounding clean boost, an overdrive, all the way up to an aggressive\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003efuzz with some octave overtones. There are many colors of tone available with the impedance and gain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003econtrols…they are very interactive. This is meant as a “pretty” fuzz a la 60’s-70’s classic rock\/psychedelic rock. It is\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003enot a spitty, harsh experimental fuzz and more often sounds like an overdrive or distortion (unless it’s turned all the\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eway up). We call it a fuzz because it has a fuzzy character but it is so much more.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eINTERNAL TRIMMER\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDon’t turn the internal trimmer. It is precisely set at our factory. Turning the trimmer voids the warranty. The correct\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003etrimmer position is marked in case you get one used where someone turned it. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePOWER SUPPLY\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis pedal is for use only with a 9vdc Boss style center negative power supply...There is no battery. Please do not\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esubject this pedal to more than 9vdc or the pedal or power supply could be destroyed. This pedal only draws 70ma\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ewhen the heater is engaged, and far less than that when it is off. It will pull those 70ma instantaneously, which most\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003epower supplies have no issue with. With substandard or non standard power supplies it is possible the pedal will start\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eoscillating madly at the heater threshold, where the LED changes.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52669731537219,"sku":"","price":365.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/BensonAmpsSolarWhiteFuzz.png?v=1769687062"},{"product_id":"ac-noises-respira-no-description-or-ean","title":"AC Noises Respira","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRESPIRA is a percussive ambient machine consisting of two effects in a single pedal unit, designed with a strong focus on cinematic soundscapes, atmospheric textures, and film-score-inspired tones. It combines a shimmer reverb placed in front of a multimode LFO tremolo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe digital shimmer reverb (developed by Luca Romanelli of Mastro Valvola) is the first effect in the internal signal chain. It delivers a deep, atmospheric character with long to near-infinite decay, along with additional octave layers that sit above the original signal, creating a spacious and evolving ambient texture.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52669850419523,"sku":"","price":429.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ACNoisesRespira.png?v=1769687205"},{"product_id":"ac-noises-urla","title":"AC Noises Urla","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Urla\" is an Italian verb which means \"scream\" in second person imperative (tu, urla = you, scream).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA loud, aggressive and experimental device which consists in 2 effects in 1 pedal unit, the URLA is a CMOS fuzz in front of a synth-based dual resonant filter.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCMOS Fuzz:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA CMOS chip works with digital logic (1, 0).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCompared to the transistor based fuzz circuits (it doesn't matter if germanium or silicon), in a CMOS fuzz there is no \"in-between\", no \"dynamic range\", no \"vintage tone\" or anything like that. There are just 1s and 0s, so no matter which kind of waveshape you put into it: the output will always be square wave with no adjustable gain neither since the square wave is as distorted as it can get.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe URLA obviously makes no exceptions and it provides an overdriven, glitchy and gated fuzz sound with a decay that dies abruptly (but still allowing to sustain each note thanks to a bass boost stage that we put at the very beginning of the signal path).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt offers 2 controls: VOLUME and BLEND.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVOLUME (fuzz)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdjusts the output level of the fuzz.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBLEND:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAs the name suggests, this control allows to blend the fuzz sound with the original signal placed in front of the URLA. Clean guitar tone is probably the most basic example in that sense but no doubt the bravest sonic adventures could find plenty of different as exciting solutions (e.g. as \"wall of sounds\" enthusiasts, we do love to place a shimmer reverb in front of it or some modulation as well to create different kind of textures). Being a fully analog jFET blend, it goes from almost completely DRY (counterclockwise) to 100% wet signal (clockwise).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDUAL RESONANT FILTER:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis is the second effect placed in the internal signal chain of the URLA and it consists in a faithful replica of the analog filter section of the glorious Korg MS-20, simply our all times favorite vintage monophonic synthesizer.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt's an HIGH PASS filter connected in series with a LOW PASS one, both adjustable with their relative controls of CUTOFF and PEAK. Also, we added a dual potentiometer to control the VOLUME of both, which is pretty useful in order to dial with other output levels in chain (including the internal FUZZ placed in front).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVOLUME: (filter)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSets the output level of the dual filter.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCUTOFF:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThese knobs allow to decide where the frequencies (high ones by LP, low ones by HP) have to be cut. No doubt they're the most exciting controls of the URLA.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe placed those on the external sides of the pedal surface exactly because of that: you'll love messing up with those as much as possible by exploring the wild excursions of both. In fact, depending on the place of their relative PEAK knobs, they can go approximately from 50hz to 15kHz.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNote: since the filters are connected in series (HP into LP), you'll completely mute your signal by turning the LP cutoff fully counterclockwise.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePEAK:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWhile cutoff allows to remove frequencies (harmonics) from the incoming audio signal, their respective resonance allows to have an additional controlled amplification of that cutoff frequency, creating a secondary peak form and coloring the original pitch.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe resonances of the original Korg MS-20 are well known for their pretty wild and loud nature due their tendency to create a microphonic feedback at extreme settings. URLA makes no exceptions, so USE THESE KNOBS CAREFULLY because they really make your amp scream at high level!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEXPRESSION:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWe're not going to lie: if you'll not play the URLA with an expression pedal (by using a TRS cable) to control the cutoff of your favorite filter (HP or LP it's up to you: just place the EXP toggle switch where you prefer), you'll probably miss more than the 90% of the fun.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFor that reason, our friend Luca Romanelli from Mastro Valvola (the same guy who wrote the code for the RESPIRA's shimmer) designed an expression input which works correctly with ANY expression pedal on the market.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBut there's more: when the expression pedal is plugged into the URLA, you can still set the minimum (the starting point of the parameter you want to control with the expression pedal) by adjusting the relative cutoff knob.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs aggressive as experimental-friendly, URLA is our tribute to all the industrial, noise and alternative artists\/records that made our world a better place to live.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSwitching System: true bypass managed by soft switch + programmed relay. Power: 9v center negative. Current draw: 100 mA minimum\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52670061773123,"sku":"","price":249.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ACNoisesUrla.png?v=1769687358"},{"product_id":"electronic-audio-experiments-prismatic-wall","title":"Electronic Audio Experiments Prismatic Wall Sympathetic Resonator Pedal","description":"\u003cp\u003ePrismatic Wall from Electronic Audio Experiments is a sympathetic resonator that allows your instrument or audio to create delicate blooms of sound that support your playing and add dynamic textures. Using a variation on Karplus-Strong physical modeling, the Prismatic Wall has a four octave range and four modes that allows for different interval spacings. Move from Unison\/Overtone, to stacked Neutral Thirds - a quarter tone between a major and minor; from Stacked Fifths to Chromatic, where all material can excite the resonators creating a dense, atonal sound.\u003c\/p\u003e\n\u003cp\u003eTo sculpt the sound, we can use the Drive knob to give the signal a little edge, as well as the Dampening to make the sound a bit darker and the Decay, which can allow the strings to gently resonate, ring out, or start to feedback. A built-in LFO with Rate and Amount controls lets you add modulation to Tune (by default) but you can assign that to any parameter. Choose between a more predictable sine wave, or a random wave for flavorful options. If that wasn't enough, a Morph function with built-in Aux footswitch lets you jump smoothly between two pedal states or you can plug in an expression pedal to slowly sweep between the two different settings.\u003c\/p\u003e\n\u003cp\u003ePrismatic Wall from Electronic Audio Experiments is a fantastic tool not just for guitar, but for any audio source that can transform anything into a swirling pool of overtones, otherworldly resonating excitements, and anything in between.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003ePrismatic Wall Features\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePhysical modeling synthesizer designed to process incoming audio\u003c\/li\u003e\n\u003cli\u003e4 Modes for Unison\/Overtone, Stacked Thirds, Stacked Fifths, or 12-note Chromatic intervals\u003c\/li\u003e\n\u003cli\u003eMix and Drive knobs help adjust the flavor\u003c\/li\u003e\n\u003cli\u003eTune offers a 4 octave range for the resonators\u003c\/li\u003e\n\u003cli\u003eDampening darkens the sound\u003c\/li\u003e\n\u003cli\u003eDecay can move from short percussive blooms to wild feedback\u003c\/li\u003e\n\u003cli\u003eBuilt-in LFO can modulate any parameter\u003c\/li\u003e\n\u003cli\u003eLFO Has selectable waveshape\u003c\/li\u003e\n\u003cli\u003eMorph function allows AUX footswitch to morph between two modes and automatically maps to the CTRL input for expression or CV\u003c\/li\u003e\n\u003cli\u003eParameters can be MIDI controlled\u003c\/li\u003e\n\u003cli\u003eAUX footswitch can be used to scroll through presets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"product__info-short\" id=\"specification\"\u003e\n\u003cstrong\u003eProduct Details\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 4.7\" H x 3.7\" W \/ 119mm H x 93mm W\u003c\/li\u003e\n\u003cli\u003ePower Specs: 9VDC Center Negative (PSU not included), 120mA current draw\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52734723260739,"sku":"","price":499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ElectronicAudioExperimentsPrismaticWall.png?v=1769687724"},{"product_id":"electronic-audio-experiments-the-bard","title":"Electronic Audio Experiments The Bard","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Bard is an homage to one of our favorite misunderstood amplifiers of the past: the Music Man HD130. Manufactured from 1974 to 1984, these amps combined a solid state preamp with a tube power amp, an unusual choice that lead to them being gravely underrated in their time. But the HD130 and its siblings are some of our favorite amps thanks to their pristine (but not quite vintage) clean tones, trashy overdrive, and very wide frequency response that suits both guitar and bass. We editorialized our favorite parts of it into a compact overdrive pedal: The Bard.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Bard’s circuitry resembles a classic 1960s American amplifier reimagined with op amps in the place of tubes. The clean tones are clear and sparkly, with a gentle dip in the midrange thanks to the passive tone stack. Increasing Drive delivers medium gain sounds with a glassy edge, especially when the Bright switch is active. At the highest Drive settings, the op amps distort in a way that is unapologetically not “tube-like”—a hallmark of the original amps. The tone stack is located before the primary gain stage and can emphasize specific textures within the overdriven sound. The Bard is a versatile performer that will effortlessly traverse between traditional and angular stylings.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eControls: \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Level: Output level. Handy as a boost!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Drive: Increases the gain, from clean to touch sensitive to heavily overdriven. The taper of the control\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eis highly influenced by the EQ settings and the position of the Bright\/Normal switch.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Low: passive bass control, with about 15dB of range below 300Hz. Higher settings will make the drive\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003emore fuzzy.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• High: passive treble control, approximately 15dB of range between 1kHz-4kHz. Higher settings will\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eincrease gain for high frequencies, sharpening the drive sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Bright\/Normal Switch: Changes the treble contouring of the Drive control. At low drive settings, adds\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ea glassy character. As drive is increased, the switch is more subtle. At maximum drive, the switch makes no discernible difference in the sound.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 125B enclosure (121mm x 66mm footprint)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• True bypass with relay switching\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Power: 9VDC center negaGve @ 60mA\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• 200kΩ input impedance @ 1kHz\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• \u0026gt;5kΩ output impedance @ 1kHz\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52734770512195,"sku":"","price":249.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ElectronicAudioExperimentsTheBard.png?v=1769688357"},{"product_id":"electronic-audio-experiments-sending-v2","title":"Electronic Audio Experiments Sending V2 Delay Pedal","description":"\u003cp\u003eEAE's Sending V2 is a BBD-laden delay pedal that uses digital controls for a perfect blend of old and new. Sending V2 uses two BBD chips and analog processing to achieve a clean, full second of delay with longer delays that are musically degraded to great effect.\u003c\/p\u003e\n\u003cp\u003eBeyond the delay, you get a discrete preamp for warmth, and dual-mode feedback filter that can sculpt the delay to be gentle pulses or bright and present. A modulation LFO lets you introduce subtle movement or complete modulated chaos. You can adjust the delay to your taste by using the Insert jack to add external effects to the delay line—add a pitch shifter or ring modulator for extreme and peculiar cascading delay textures.\u003c\/p\u003e\n\u003cp\u003eElectronic Audio Experiments creates exceptional pedals, and Sending Mk2 follows suit.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eSending V2 Features\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBBD Powered delay pedal\u003c\/li\u003e\n\u003cli\u003eDiscrete preamp for warmth\u003c\/li\u003e\n\u003cli\u003eDual-mode filter control for delay line sonic sculpting\u003c\/li\u003e\n\u003cli\u003eAnalog filtering for low noise and high bandwidth\u003c\/li\u003e\n\u003cli\u003e32-Bit Processor for advanced control over all parameters\u003c\/li\u003e\n\u003cli\u003eFeedback swell with footswitch\u003c\/li\u003e\n\u003cli\u003eLFO Modulation for delay time\u003c\/li\u003e\n\u003cli\u003eInsert FX loop\u003c\/li\u003e\n\u003cli\u003eSave\/Recall 32 presets\u003c\/li\u003e\n\u003cli\u003eCV\/Expression can be mapped to multiple parameters\u003c\/li\u003e\n\u003cli\u003eTRS MIDI control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"product__info-short\" id=\"specification\"\u003e\n\u003cstrong\u003eProduct Details\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 4.7\" H x 5.7\" W\/ 119mm H x 145mm W\u003c\/li\u003e\n\u003cli\u003ePower Specs: 9VDC center negative (PSU not included), 400mA current draw\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52734824481091,"sku":"","price":779.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ElectronicAudioExperimentsSending.png?v=1769099209"},{"product_id":"electronic-audio-experiments-oxeae-fuzz","title":"Electronic Audio Experiments OxEAE Fuzz","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe 0xEAE Fuzz is our latest collaboration with the design collective Obstructures and is the most dangerous gain device in our lineup to date.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe imposing neo-brutalist geometry houses the auditory equivalent of an angle grinder. There is no subtlety or transparency to be found here. This belligerent yet deceptively versatile op amp fuzz circuit is capable of up to +80dB of gain with a massive volume output. The Weight control adjusts a lightly resonant pre-gain high pass filter, allowing the tone to range from tight, ripped-speaker grind to bass-rich aluminum slag. The Texture control blends in a full-wave rectified analog octave up at the input, creating piercing intermodulation products and sub-bass artifacts with a synthesizer-like attack.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFinally, we included our robust switching and power supply infrastructure—making the 0xEAE Fuzz a rugged tool for many years of fuzzed-out rancor.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecifications:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Bypass: Relay switching with op amp buffered bypass.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Input impedance @ 1 Khz: 2.2MΩ\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Output impedance @ 1 Khz: \u0026lt;1kΩ\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Power: 9V DC, 2.1 mm center negative barrel. The current draw when active is 120 mA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWe recommend a regulated, isolated power supply rated for 200 mA minimum. The PSU input is protected against reverse polarity and over-voltage. Our pedals do not accept batteries.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Dimensions: 6.75” x 3.5” x 2”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Weight: 1.5 lbs\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eControls:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Level: Master volume output. Slide right to get loud. Really loud.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Texture: Slide right to blend in an analog upper octave at the input of the fuzz circuit.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLow settings add broken harmonics, high settings add a strong 2nd harmonic with sub-\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ebass artifacts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Gain: Primary gain stage. Slide right to add gain up to an irresponsible +80dB. This\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003econtrol is not for the meek. Expect, embrace, and channel the noise.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Weight: Changes the cutoff of a high pass filter at the input to alter the attack and thickness of the fuzz. Slide left for a tight attack, slide right for crushing bass frequencies. Highly interactive with the Texture and Gain controls.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52735177523523,"sku":"","price":375.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ElectronicAudioExperimentsOxEAEFuzz.png?v=1769688776"},{"product_id":"electronic-audio-experiments-citadel","title":"Electronic Audio Experiments Citadel Overdrive Pedal","description":"\u003cp\u003eInspired by the sound of British amps from the 60s and 70s, but rather than emulating a certain circuit, Electronic Audio Experiments decided to create their own, combining everything they loved from these tube amps. Not satisfied with just emulating the preamp, Citadel models a power amp section of a tube amp, as well. With a three-band EQ and three different gain controls, the Citadel works on a pedalboard or as a DI for ampless recording. Great for pristine cleans as well as howling distortion, the Citadel from Electronic Audio Experiments will unlock your tone and creativity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCitadel Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBritish tube amp inspired overdrive pedal\u003c\/li\u003e\n\u003cli\u003eParallel Bright Gain control alongside Normal Gain control for expert blending of preamp flavors\u003c\/li\u003e\n\u003cli\u003e3-Band EQ with slightly scooped midrange that is authentic to guitar amp EQs\u003c\/li\u003e\n\u003cli\u003eMaster gain control explodes your sound\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"specification\" class=\"product__info-short\"\u003e\n\u003cstrong\u003eProduct Details\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 4.65 x 3.65 x 2.25 in. \/ 118 x 93 x 57 mm\u003c\/li\u003e\n\u003cli\u003ePower Specs: 9V, 65mA center-negative PSU not included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52735294669123,"sku":"","price":319.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ElectronicAudioExperimentsCitadel.png?v=1769689216"},{"product_id":"electronic-audio-experiments-0xeae","title":"Electronic Audio Experiments 0xEAE","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe 0xEAE Boost is the first entry in a new pedal series developed in conjunction with the design collective Obstructures.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe 0xEAE collaboration began as an indestructible enclosure created in the distinct, utilitarian-yet-elevated visual language of Obstructures, culminating in a neo-brutalist homage to the iconic sloped fuzz enclosures of the 60s and 70s.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe exterior physical design and our shared affinity for noise rock informed the intent of the circuitry within: a versatile signal boost\/overdrive with the potential for a razor-sharp treble response and excessively high output levels. The circuit itself is comprised of a discrete op amp gain stage with a treble boost in front, forming a densely textured upper midrange character laden with higher order intermodulation products. A mix of active and passive tone controls allows for dramatic alterations in sonic character. We also took extreme measures to engineer a high-quality power supply that is fully protected from excessive voltage, improper setup, and external interference.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe end result is an object that is maximally robust, designed for a lifetime on the road, on stage, and in the studio\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eControls:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMaster: Output volume level. Ranges from -∞ dBu to an excess of +20 dBu. (Use judiciously.)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFilter: Passive, variable frequency low pass filter. Slide right to cut high frequencies. Cutoff frequency ranges from outside the audio range at minimum to 480Hz at maximum. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGain: Primary gain stage. Adjustable from approximately +26 dB to +46 dB. Slide right to increase gain. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFocus: Input treble boost. Ranges from +0 dB to +26 dB for high mid frequencies. Slide right to add saturation and harshness.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFootswitch: Effect activator.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecifications:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBypass: Relay switching with op amp buffered bypass; red\/green LED indicator. (Note: alternate firmware with traditional on\/off action is available upon request.)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInput impedance @ 1 Khz: 2.2MΩ\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOutput impedance @ 1 Khz: \u0026lt;1kΩ\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePower: 9V DC, 2.1 mm center negative barrel. The current draw when active is 120 mA. We recommend a regulated, isolated power supply rated for 200 mA minimum. The PSU input is protected against reverse polarity and over-voltage. Our pedals do not accept batteries. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDimensions: 6.75” x 3.5” x 2”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWeight: 1.5 lbs\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52735366791491,"sku":"","price":375.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ElectronicAudioExperiments0xEAE.png?v=1769689343"},{"product_id":"electronic-audio-experiments-limelight-v2","title":"Electronic Audio Experiments Limelight V2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimelight is a dual channel overdrive developed in collaboration with LA-based punk band Touche Amore. The distinctive bright, clear tones of guitarists Nick Steinhardt and Clayton Stevens form the foundation of TA’s impassioned brand of post-hardcore, letting their riffs morph effortlessly between serene clean passages and cacophonous blast beats. This pedal was originally developed to commemorate the release of their 2020 LP, Lament, but since earned its place in a wide variety of guitar rigs spanning genres.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn preparation for the recording of Lament, we worked with Nick and Clayton to create a new op amp overdrive with equal parts aggression and chime. While loosely based in the “breaker” lineage, we made significant changes to the circuit for superior articulation and a much wider range of gain. An independent front-end boost rounds out the package, perfect for adding power to clean tones or pushing the overdrive side into heavy distortion. While the primary goal was to help the band sound like their best selves, Limelight has a tone for everyone.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eControls:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBoost – adjusts the Boost channel from 0dB to +21dB of clean gain when turned clockwise.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDrive – Simultaneous control of two gain stages, with a natural midrange boost as you turn it clockwise. Achieves approximately 50dB at the maximum setting.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTone – Adjustable low pass filter, clockwise for more treble and counterclockwise for less.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVolume – Output level control, turn clockwise for more volume. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFocus – Variable low cut in the drive section, adjusts the amount of chime and midrange presence.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLeft footswitch – Engages drive circuit\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRight footswitch – Engages boost circuit\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecs:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIndependent boost and drive circuits with relay-based true bypass switching which defaults to bypass in the event of power loss.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInput impedance @ 1Khz: 500kΩ (boost\/drive)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOutput impedance @ 1Khz: 1kΩ (boost), \u0026lt;5kΩ (drive)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePower: 9VDC, 2.1mm center negative barrel. The current draw is 80mA with both channels engaged. \u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52735408701763,"sku":"","price":315.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ElectronicAudioExperimentsLimelightV2.png?v=1769689498"},{"product_id":"electronic-audio-experiments-halberd-v2","title":"Electronic Audio Experiments Halberd V2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Electronic Audio Experiments Halberd is a discrete transistor overdrive circuit designed for the greatest possible dynamic range and note clarity. It fills a special niche our family of drive pedals—a medium-gain device with the harmonic fullness and grind of a much higher-gain pedal, one that stands apart from both the brazen buzz of op amp distortion and the smooth breakup of JFET amp emulations alike. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Halberd’s character comes from over a dozen transistors working in harmony. It is familiar but unique, sitting somewhere between blown-up tweed and an overloaded console. Rather than resigning itself to transparency, it imparts its character in a collaborative fashion, responding in unique ways to different instruments and amplifiers but not without leaving its distinct fingerprints. And of course, it is equally at home on guitar, bass, and synthesizer. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eControls\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePre: This sets the overall signal gain. Lower settings impart light compression, then increasing amounts of clipping up to a medium overdrive, depending on the Voice and Depth settings.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDepth: This is an adjustable low frequency shelving filter at the input, and is very interactive with the setting of the Pre control. It can be thought of as a second gain control affecting low frequencies only.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTone: This is an adjustable high shelf cut at the output, helpful for taming harsher frequencies especially at high gain settings.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePost: This sets the overall output level, and is buffered for full transparency at all signal levels. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVoice: 3 position switch to set the overall drive character\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eClang (up): increases gain in the upper midrange, for an aggressive sound and a sharp attack\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStandard (middle): moderate gain with a gentle mid push; identical to Halberd V1\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDeep (down): a full range gain boost with woolly saturation and a fuzzy note attack\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52735471026499,"sku":"","price":319.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ElectronicAudioExperimentsHalberdV2.png?v=1769689646"},{"product_id":"electronic-audio-experiments-surveyor-v2-5","title":"Electronic Audio Experiments Surveyor V2.5","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Electronic Audio Experiments Surveyor is a compact re-interpretation of the Instrument Voicing Preamp (aka IVP), a cult classic and long discontinued rackmount preamplifier. The IVP is best known for its distinctively clangy tone and harsh attack at high treble settings—especially in conjunction with an aluminum neck guitar, single coil pickups, and full range speakers—but its unique solid-state voice transcends genre labels.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Surveyor features a unique, transformer-loaded “Tube Voice” distortion generator that is highly responsive to the frequency content of the input signal. This is achieved by placing a two-band shelving EQ before distortion is applied—the complete opposite of most drive pedals. Using this method, gain may be selectively applied to a specific frequency band: boost the treble for that signature clang, or maximize the bass for fuzz overload. This variety of saturated textures isn’t just for guitar, either! The Surveyor is equally at home on bass, synthesizers, drum machines, even vocals. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eControls:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLevel: overall volume, with more than enough range for line level output or to overdrive the next thing in your signal path\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGain: amount of overdrive\/saturation equally applied to all frequencies; highly interactive with the Bass and Treble settings\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBass: pre-clipping low shelf boost\/cut, +\/-12dB @ 100Hz\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTreble: pre-clipping high shelf boost\/cut, +\/-12dB @ 3KHz\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHi\/Lo (switch): sets the range of the gain control, +0dB in the Lo position and +14dB in the Hi position\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecifications:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSize\/Weight: 121mm x 66mm x 40mm, 0.4kg\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBypass: Relay switching with true bypass\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInput impedance @ 1 Khz: 1MΩ\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOutput impedance @ 1 Khz: \u0026lt;1kΩ\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePower: 9V DC, 2.1 mm center negative barrel. The current draw is 70 mA.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe recommend a regulated, isolated power supply rated for 100 mA minimum. The PSU input is protected against reverse polarity and over-voltage up to 24V. Our pedals do not accept batteries. \u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52735621693763,"sku":"","price":319.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/EAE_Surveyor_STOCK_1copy.jpg?v=1741604749"},{"product_id":"electronic-audio-experiments-model-fet","title":"Electronic Audio Experiments Model feT","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Model feT is a transistor-based preamplifier designed around the legendary Sunn Model T amplifier. Those who have played the original know that while it excels at heavy tones when pushed, it is far more than just an amp for stoner rock and doom metal. In fact, on its own it is a rather clean amplifier with a tone that is dark yet clear and present—making it an exceptional pedal platform. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMost famous Model T tones come from putting a distortion or fuzz in front of the amp. Thus, the Model feT is designed to sound good on its own and with other pedals stacked in front. This pedal goes beyond the standard triode-to-JFET emulation approach with the inclusion of an emulated power amp. This broadens the range of gain and—in the true spirit of the original amp—allows for massive headroom and volume output. This greatly expands its capabilities beyond a typical drive pedal: the Model feT can be used directly into a power amp, cab simulation, or DAW. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eControls:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNormal: turn clockwise to add gain from the parallel “Normal” channel, which has a neutral voicing. Higher settings produce a thicker gain sound. The normal channel is fully muted when this control is at zero. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBrite: turn clockwise to add gain from the parallel “Brite” channel, which is voiced for extra midrange and sparkle. Adds bite to the drive tone at higher settings. The “Brite” channel is fully muted when this control is at zero.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBass, Midrange, Treble: 3-band FMV EQ with the same moderately mid-scooped voicing as the original amp: highly interactive and nonlinear, but familiar. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMaster: sets overall output volume. This control is capable of high volumes in order to access quieter clean settings and to properly drive an external power amp. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBypass: Relay switching with true bypass\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInput impedance @ 1 Khz: 500kΩ\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOutput impedance @ 1 Khz: 1kΩ\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePower: 9V DC, 2.1 mm center negative barrel. The current draw is 65 mA.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe recommend a regulated, isolated power supply rated for 100 mA minimum. The PSU input is protected against reverse polarity and over-voltage up to 24V. Our pedals do not accept batteries.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52735674515779,"sku":"","price":319.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ElectronicAudioExperimentsModelfeT.png?v=1769690394"},{"product_id":"electronic-audio-experiments-longsword-missing-weight","title":"Electronic Audio Experiments Longsword","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Electronic Audio Experiments Longsword is yet another contender in the endless void of op-amp based drive pedals, but it is one that takes the topology in a novel direction. Cascaded gain stages allow for the full range from clean boost to massive distortion, all without sacrificing tonal flexibility. The equalizer combines bass and treble shelving filters with an active, frequency-selectable midrange boost\/cut control. This lets the user sculpt a diverse array of tones and carve out a niche in even the most dense of mixes. The Longsword has a broad frequency response which makes it work equally well with guitar, baritone, and bass.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eControls:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLevel: output volume\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDrive: go from light grit to heavy overdrive\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLow\/High: James\/Baxandall tone stack (shelving filters)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMid: active midrange boost\/cut\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShift: selects frequency controlled by Mid pot\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDiode: selects between clipping diodes, to alter dynamics and headroom\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUp: MOSFET clipping, medium compression\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCenter: no diodes, minimal compression\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDown: Silicon diode clipping, maximum compression\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBoost (Footswitch): engages a front end mid boost\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBoost (Knob): adds up to 20dB of gain when the Boost is engaged\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBypass: Relay switching with true bypass\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInput impedance @ 1 Khz: 500kΩ\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOutput impedance @ 1 Khz: 1kΩ\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePower: 9V DC, 2.1 mm center negative barrel. The current draw is 75 mA.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe recommend a regulated, isolated power supply rated for 100 mA minimum. The PSU input is protected against reverse polarity and over-voltage up to 24V. Our pedals do not accept batteries. \u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52735739134275,"sku":"","price":319.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ElectronicAudioExperimentsLongsword.png?v=1769690624"},{"product_id":"alexander-pedals-forget-me-not","title":"Alexander Pedals Forget Me Not","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eForget-Me-Not is a lot of things. It can be an echo, or a reverb unit. It can sound gorgeous, or incredibly broken. It can make you remember, or cause you to forget everything. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe based Forget-Me-Not on a rare piece of rack gear that simulated reverberation\u2028by using a tapped delay line. This approach has really fallen out of favor in the modern era, replaced by more sophisticated algorithms using all-pass filters for lots of diffusion. We find the old-school method applied here to be unique and charming, and we hope you agree. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eForget-Me-Not lives with one foot in the world of reverb, and the other squarely in the world of delay. It blurs a lot of lines, and can do either or both at once depending on how you use it. Regardless of the way you choose to apply this pedal, we hope that you’ll find it as enchanting and alluring as we do. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCONTROLS :\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eForget-Me-Not features a fully tactile user interface, with no hidden settings or options.\u2028Every parameter, every option, every setting has a dedicated hardware control, for a zero-compromise hands-on experience. Want to tweak something? Turn the knob or flip the switch. Want to save or recall all the settings? We’ve got presets for that! \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTime:\u2028 Sets delay time from 5-900ms \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSwell*: \u2028Sets delay repeat level \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBlend:\u2028 Mixes between direct and delay \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTone: \u2028Controls delay tone filter \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA B C D:\u2028 Sets the volume level for each delay tap \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRate: \u2028Sets the speed of the modulation effect \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDepth: \u2028Sets the intensity of the modulation effect \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDIV:\u2028 Sets tap tempo subdivision \u2028Up: 8th, Mid: Dot 8th, Down: Quarter \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSPACING:\u2028 Sets spacing between delay heads \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUp: Near, Mid: Fa,r Down: Equal \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSPREAD: \u2028Sets the stereo width \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUp: Wide, Mid: Narrow, Down: Mono \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDEGRADE:\u2028 Sets the echo fidelity\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUp: Tras,h Mid: Grit, Down: Clean \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWAVE:\u2028 Sets the modulation wave \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUp: Random, Mid: Square, Down: Sine \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTRAILS:\u2028 Sets the bypass trails level\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUp: Off, Mid: Forever, Down: Faded \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTap*:\u2028 Tap twice to set delay time Hold to swell feedback. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePreset:\u2028 Tap to select preset 1-4 or Live Mode. Hold to save preset. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBypass:\u2028 Tap to turn effect on or off \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCONNECTIONS \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eForget-Me-Not features all connections on the top side panel. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInput (TRS STEREO) - Switchable between mono and TRS stereo. In mono mode, input is taken from the jack tip. In stereo mode, the Left input is the tip and Right is the ring. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOutput R - right-channel output. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOutput L (TRS STEREO) - left-channel output. If Output R is not used, this jack also carries both output channels with Left as tip and Right as ring. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePower: Center-negative, 9V DC only. Forget-Me-Not requires 250mA minimum, isolated power required. Do not use a power supply with an output higher than 9V. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUSB: Mini-B connection for USB MIDI and firmware updates.\u2028\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMultiJack: Switchable between Expression, Tap Tempo Footswitch, and MIDI input. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePRESETS \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHow do you make quick changes on a pedal that has 10 knobs, six toggle switches, and literally millions of possible permutations? PRESETS.\u2028Forget-Me-Not allows you to save up to 32 presets that contain the entire state of the pedal. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52738629108035,"sku":"","price":459.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/AlexanderPedalsForgetMeNot.png?v=1769099394"},{"product_id":"alexander-pedals-dynaflanger","title":"Alexander Pedals Dynaflanger","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEver since intrepid 60s-era studio pioneers began manually applying pressure to their tape reels, the jet plane sound of the flanger has been an iconic part of our tonal toolkit. This is uniquely true for us here at Alexander Pedals, as our roots are firmly planted in flanging concepts. Our F.13 and F.13N pedal are benchmarks for flanging excellence.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSo when it came time to design our ultimate flanger pedal, we pulled out all the stops to combine all the best tones we love from our original F.13 into the Dynaflanger 213 — weirdness and all. Explore at your own risk (or delight!)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDynaflanger has ten selectable sound modes, each based on a different phaser effect type. You can tweak these modes to your taste, and you can save any sound to any preset.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAUTO\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDeluxe automatic flanger with all of the bells and whistles. Features a wide- ranging sweep, manual control of delay time for chorus and doubling effects, and a second delay line for through-zero flanging (TZF.)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDYNA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVolume envelope controlled flanger reacts to your playing dynamics. Envelope detector features a selectable filter to accentuate highs, lows, or full-range input. Independent soft and loud sweep controls allow for fast tweaking.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDUAL AUTO\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWhat could be better than one flanger? Two flangers, of course! Dual independent units with their own sweep generators may be locked together or set opposite from each other using RAT2. Use MONO into one amp or STER into two.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDUAL DYNA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInspired by a certain “pillowy sound,” this mode connects twin flangers to the dynamic envelope sensor. One flanger sweeps up while the other sweeps down, with controls for the range of each. Use MONO into one amp or STER into two.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSPIRAL\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFOUR synchronized flangers that each spiral up or down forever, creating an auditory illusion like a never-ending staircase. Try a very slow sweep with the RESO turned way up for maximum anxiety.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSTEP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRhythmic step-sequenced flanger with eight selectable patterns. Sounds like of like a transforming robot toy TV show. Use MIDI commands to edit Pattern 8 and save in your presets.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eECHO FLANGER\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYou might also call this one a poly chorus. Up to 800ms of echo wrapped into a versatile flanger, resulting in a very radio friendly unit shifter. Flange may be placed either before or after the echo for genius tom-tom sounds.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFLERB B\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLarge hall reverb feeding into our automatic flanger. This one is great for lush dream-pop or shoegaze tones, like you might hear in a four-calendar café.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFILTER SAMPLE HOLD\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFlanger feeding a randomized filter for classic 1970s “sample and hold” effects. We put this mode in the pedal for a very specific type of user, and you folks know who you are. Ship ahoy!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTURBO\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYou may notice that extreme settings of this pedal result in “choppy” audio, which sounded so cool we built a whole mode around it! This one runs a flanger through a variable-wave amplifier, for fade, chop, and tremolo effects. And if you don’t like the choppy audio in the other modes, turn the RESO knob down a little.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52738668953923,"sku":"","price":289.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/AlexanderPedalsDynaflanger.png?v=1769690885"},{"product_id":"alexander-pedals-luminous","title":"Alexander Pedals Luminous","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWe sent a team of sonic scientists deep into the arctic circle on a secret mission: to capture bits of the Aurora Borealis so we could transmute them into a pedal. What emerged was Luminous, equal parts phaseshifter and swirly glowing haze machine. It dances and hovers with the utmost mystery, occasionally imperceptible while frequently vivid. And it glows in the dark, because of course it does.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52738794422595,"sku":"","price":289.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/AlexanderPedalsLuminous_86f98894-9d86-41c1-8dfc-80da0403010e.png?v=1769691046"},{"product_id":"alexander-pedals-rewind","title":"Alexander Pedals Rewind","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIt’s time to rediscover your affinity for trippy reverse reflections, washed-out reverberations and crystal-clear repeats. The Alexander Pedals Rewind is a reimagining of our flagship delay platform. Ten rejuvenated delay types, all the under-the-hood functionality you require, and an OLED display for instant recall of every parameter. Record, Repeat — Rewind.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52738862285123,"sku":"","price":289.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/AlexanderPedalsRewind.png?v=1769100284"},{"product_id":"alexander-pedals-space-force","title":"Alexander Pedals Space Force","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMankind has long known of the amazing properties of reverberant spaces. From the brilliant\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ereflections of the largest concert halls to the splashy depths of your own shower, every\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003espace has its own characteristic sound. The Space Force is our love letter to the sounds of\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“elsewhere,” and features eight ingenious ways to add some space to your place, whether\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eyou’re reaching for the stars or just trying to make your world a little bigger.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52738899345731,"sku":"","price":289.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/AlexanderPedalsSpaceForce.png?v=1769691244"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/collections\/BR-TN.jpg?v=1751983671","url":"https:\/\/softnoiseaudio.com\/collections\/pedals-effects.oembed?page=4","provider":"Soft Noise Audio","version":"1.0","type":"link"}