{"title":"REVERB","description":"","products":[{"product_id":"ac-noise-ricorda","title":"AC Noises Ricorda","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRICORDA means “remember” in second person imperative (tu, ricorda = you, remember).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMusic, like memories, has the ability to transport us to different times and places. It has the power to evoke emotions buried deep within us and stir memories long forgotten. Whether it's the first Xmas eve spent with our families, that road trip with friends, or the quiet moments alone with our thoughts, fragments of memories triggered by sounds and their reverberations can transport us back in time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBorn from the collaboration between AC noises and Andrea Degli Esposti from BunkerNoise, this effect pedal is the very first stereo unit of AC noises current catalogue.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDeveloped on an incredibly powerful DSP (which is often used in modular synthesizers industry more than the effects pedals one), RICORDA provides a multitude of parameters for sculpting and shaping the reverberant space. From controlling the density and size of the grains to modulating their feedback and stereo spread, the possibilities for sonic exploration are virtually limitless. With each adjustment, the reverberant environment evolves by revealing new dimen- sions and sonic possibilities, also thanks to the freeze\/loop feature and the “hidden” secondary mode as well.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTOGGLE SWITCH MONO \/ STEREO INPUT:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRICORDA can be used both in mono and stereo.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYou can choose between these two modes input by using the relative toggle switch.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn order to plug an instrument which provides a stereo output (L and R), use a TRS jack adapter to host both cables\/signals and then plug the TRS into RICORDA by leaving the toggle switch in stereo input position.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf the original signal from your instrument comes in mono (eg. guitar) leave the toggle switch in mono position. If using a mono output consider L \/ MONO only (there will be no signal from R when the effect is bypassed). Anyway, using both outputs allows to use the effect in stereo or dual mono.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRICORDA comes from the factory with a true stereo output. Anyway, it’s possible to convert the outuput in dual mono (so a sum of L+R in each channel when the pedal is engaged through the secondary mode (more details about secondary mode in page 3).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eREVERB PARAMETERS (PRIMARY)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMIX: it gives you flexibility in how much of the original sound you want to retain versus how much of the reverbe- rated sound you want to introduce.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDECAY: adjusts the duration of the reverb tail, which is the portion of the reverberation that continues after the initial sound has ceased. Turning the knob clockwise increases the decay time, resulting in a longer and more pronounced reverb tail. Conversely, turning it counterclockwise shor- tens the decay time, producing a tighter and more immedia- te reverb effect.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSIZE: it determines the size of the virtual space, affecting the duration and density of reflections. By turning this knob clockwise (past noon) the ambient perception increases, while turning it counterclockwise (before noon) the reverb’s tail goes in the opposite direction (reverse). By leaving the knob exactly at noon, you’ll be right in the middle of the reflection spot (no size) generating a sort of flanger-ish sound. \u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTONE \/ LP-HP: allow to adjust the frequency content of the reverberated audio signal (so it doesn’t affect the original dry signal). At noon, all the frequencies generated by your instrument will be processed and sent to the output.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGRANULAR PARAMETERS (PRIMARY)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMIX: as for the one related to the reverb, it controls how much of the original sound you want to retain versus how much of the processed sound (granular) you want to introduce.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNUMBER: increasing the grains number results in more grains being used, which can lead to denser, richer textures and more complex timbres. Conversely, decreasing the grains number reduces the density of grains, resulting in sparser textures and simpler timbres.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSIZE: same principle of the reverb’s size control. Grains can move forward (past noon) or in reverse (before noon).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTIME: it determines how close\/far the grains are collected in relation to the the original source. Going from 0 (time knob fully counterclockwise) onwards, grains are progressively collected further and further away, generating a delay between the original source and grains repetition.\u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTOGGLE SWITCHES\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e0 or +12: It allows you to determine in which semitone your grains must play. At 0, those will be reproduced according to the original octave, while in +12 (semitones) grains will play one octave up.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFreeze\/Loop: This is a crucial switch, not just for these 2 options but also for the secondary mode of RICORDA.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFREEZE\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFreeze mode refers to a technique where a momentary snapshot of an audio signal is captured and sustained infinitely. When freeze mode is activated (toggle switch on and then tap on the footswitch on the left - LED on -), the audio signal is essentially \"frozen\" at its current state, so basically the audio input is sampled and held. Considering all of the RICORDA parameters and sound capabilities, this feature is definitely the best one in order to create drones or intricate sonic landscapes. When FREEZE is engaged, it’s possible to play above the “frozen” portion in a full dry mode. To disengage the FREEZE mode, just tap again on the same footswitch (LED off).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLOOP\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen switching the function of the second footswitch it now controls the loop function.\u2028 RICORDA’s loop system provides up to 2 minutes of recording.\u2028 To record a loop, just tap the footswitch on the left once. At this point, the relative LED blinks to indicate that the pedal is in recor- ding mode. When tapping the same footswitch again, recording stops as the LED stops blinking and the loop starts to play.\u2028 Once a first loop has been recorded, it’s possible to overwrite new loops infinitely.\u2028\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAll of the subsequent loop layers refer to the recording time of the first one.\u2028 To delete a loop, just hold the relative footswitch for 2 seconds. Led will blink fast before turning off and the whole recording will be deleted.\u2028\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRICORDA’s loop system comes in “post” from the factory, that means that once recorded, the user can play the pedal in total different settings without effecting the loop.\u2028 Anyway, thanks to the secondary mode, loop mode can be switched to “pre” in order to be manipulated in real time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSECONDARY MODE\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRICORDA provides a sort of hidden feature called “secondary mode”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBy entering in this mode, all of the knobs and switches will control different parameters.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn secondary mode, parameters must be intended as described below.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eREVERB PARAMETERS IN SECONDARY MODE\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMIX DIFFUSE: controls the reverb’s spread and density. It essentially determines how \"spread out\" the reflections are in the simulated space.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDECAY LFO SPEED: it determines how quickly the LFO waveform repeats itself.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSIZE LFO DEPTH: it controls the amount of modulation applied by the LFO.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTONE \u0026amp; LP\/HP PRE-DELAY: it determines the delay time between the original sound signal and the onset of the reverberant sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGRANULAR PARAMETERS IN SECONDARY MODE\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMIX FEEDBACK: it controls the amount of the output signal that is fed back into the input of the effect process.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNUMBER SPRAY: it determines how much randomly the grains are distributed across the audio spectrum. This technique adds\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ean element of unpredictability and randomness, resulting in a more organic and varied sound texture.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSIZE STEREO SPREAD: it controls the width of stereo field. Increasing the value of this parameter spreads the grains further apart between the left and right channels, widening the stereo image.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTIME PITCH OFFSET: it modifies the pitch of each grain relative to the original pitch of the source material. Pitch offset can be adjusted within a range of 0 to 12 semitones. Adjusting the parameter within this range allows to control how much the pitch of the grains deviates from the original pitch of the source material.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTOGGLE SWITCHES IN SECONDARY MODE\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFREEZE\/LOOP POST-PRE position (LOOP): RICORDA’s loop system comes from the factory in “post” position, allowing the user to play above the loop without effecting the recording when tweaking knobs. When in secondary mode, it’s possible to switch to “PRE” by moving the freeze\/loop toggle switch to the right. In this case, when back to the primary mode, it will be possible to manipulate the whole recording (loop) by tweaking the relative knobs.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMONO\/STEREO DUAL MONO OUTPUT\/TRUE STEREO OUTPUT: RICORDA’s output comes from the factory in true stereo mode. While in secondary mode, move the mono\/stereo input toggle switch to the left in order to turn the output in dual mono (so a sum of L+R for each channel).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e0 +12 PRE-POST position (GRAINS): as factory settings, the granular side of RICORDA is placed before the reverb (pre). Move the 0 +12 toggle switch to the right to place that after the reverb instead (post).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDEFAULT SECONDARY SETTINGS:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDiffuse: 40%\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLFO Depth: 20%\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLFO Speed: 20% PreDelay: 20% GrainsFeedback: 20% Spray: 0%\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStereo Spread: 60% PitchOffset: 0\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUSB-C PORT:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWhen removing the backplate from the pedal, it’s possible to spot a vertical USB-C port on the bottom right of the board. When a new firmware will be available, just visit acnoises.com and follow the instructions.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52663972331843,"sku":"","price":429.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ACNoises_Ricorda_STOCK_1copy_b1387393-7085-4669-b81b-034ed43f4ddd.jpg?v=1740674651"},{"product_id":"ac-noises-ama-v2","title":"AC Noises AMA V2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAMA is an Italian verb which means \"love\" in second person imperative (tu, ama! = you, love!).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe first version of this effect pedal was released in early 2018 and it quickly became the top seller of the AC noises catalogue. In fact, during the consecutive two years, the AMA has been chosen from many alternative, post-rock, shoegaze and ambient artists (including some well known ones) and it's been featured (and mentioned several times) on the gear encyclopedia \"Pedal Crush\" in late 2019.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis new version (simply marked as V.2) is the result of the feedbacks we received from all around the world during the past two years and it's been created to provide the most exciting experience to all the sonic adventurers out there who love a gently modulated and oscillating spring reverb in front of a bit crusher.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe AMA V.2 offers up to 4 different control parameters for the reverb (OSC, MIX, REVERB and RAMP) and 2 for the re-worked and now more musical bit crusher which is still placed after the reverb (RESOLUTION and SAMPLE RATE).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNote: About the bit crusher, there is also an internal trimmer which controls the effect's gate. Anyway, we suggest to leave that as it comes from the factory.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOSC\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOne of the new features offered by the V.2.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn the first version, the reverb oscillator was only switchable (ON\/OFF) and it was strictly related to the decay. Now things have changed: the OSC knob allows to decide how much oscillation has to be noticed on the reverb tail, going from no oscillation at all (OSC knob fully counterclockwise) to the as wonderful as noisy self-oscillation mode (OSC knob fully clockwise).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMIX\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe MIX knob controls the balance between the dry and wet signal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTurning it clockwise, the percentage of reverberated signal will be more noticeable (and viceversa).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eREVERB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe REVERB knob controls the decay’s length.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTurning it clockwise, reverb tail will become longer (and viceversa).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRAMP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOne of the most exciting feature of the AMA V.2.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe RAMP footswitch is related to reverb's oscillator and its work speed depends on the OSC knob setting: more closed will be the OSC knob, slower will be the oscillator ramp (and viceversa).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCRUSH\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThat's the position of the toggle switch which allows to engage the bit crusher circuit placed after the reverb.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRESOLUTION\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe amount of the oscillation pulse. Turning it clockwise, pulses will be wider and signal will be noticed as less crushed (and viceversa).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSAMPLE RATE\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBit crusher internal oscillation frequency.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTurning it clockwise, the oscillation will be more focused on high frequencies and the bit crusher will be generally noticed as brighter.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnother new feature offered by this new version of the AMA is an expression input connected to the sample rate, which allows to bypass the knob and controlling the frequency's cut by using an external expression pedal (10k value recommended - so most of the expression pedals on the market).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe AMA is a true bypass pedal (switching system managed by soft switch + programmed relay).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePower: 9v center negative.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCurrent draw: 100 mA minimum\u003c\/span\u003e\u003c\/p\u003e","brand":"The Board Room","offers":[{"title":"Default Title","offer_id":52664271470915,"sku":"","price":269.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ACNoisesAMAV2.png?v=1769106031"},{"product_id":"ac-noises-respira-no-description-or-ean","title":"AC Noises Respira","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRESPIRA is a percussive ambient machine which consists in 2 effects in 1 pedal unit, and it’s something that we dreamed about for a very long time here at AC noises due our\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003etrue love for movie soundtracks, cinematic soundscapes and atmospheric music in general: a shimmer reverb in front of a multimode lfo tremolo.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe digital shimmer reverb (which has been developed by Luca Romanelli from Mastro Valvola) is the first effect in the internal signal chain of the pedal, and it provides all that\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eevery musician usually expects from this type of effects: a very deep atmospheric sound with a long\/infinite decay + a dreamy character provided by other octaves sounding in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eaddition to the one currently played by the musical instrument involved. \u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52669850419523,"sku":"","price":429.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ACNoisesRespira.png?v=1769687205"},{"product_id":"electronic-audio-experiments-prismatic-wall","title":"Electronic Audio Experiments Prismatic Wall","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrismatic Wall is a sympathetic resonator designed to transmute incoming sounds into the vibrations of an illusory bank of tuned strings. Part reverb and part synthesizer, its metallic yet warm timbres span from the subtle harmonic aura of a third bridge to the rich chromatic suspensions of a grand piano. The simulated vibrations form a sustaining spectral extension of your instrument that retains a tangible physicality despite its surrealist underpinnings. The resonances are reactive in nature: playing in tune excites specific pitches, while percussive attacks excite all the strings in tandem.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePrismatic Wall utilizes a physical string model formed by tuned delay lines. Tuning is achieved by varying the sample rate of the system, manipulating the physical model in decidedly non-physical ways. The Mode selector determines the interval spacing between strings, with each configuration carefully selected to maintain a sense of harmonic ambiguity. Damping and Decay change the brightness and sustain of the strings, ranging from short plucks to infinite drones.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe hardware combines primitive DSP with analog saturation and filtering for a sonic character untethered from a particular era. A fully digital user interface enables all parameters to be controlled via MIDI, saved as presets, and even modulated by the onboard LFO. In addition, the Morphing function enables controllable transitions between two distinct settings via the Aux footswitch or an expression\/CV source.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePrismatic Wall is a distinct instrument in its own right, a device that refracts musical intent into a manifold of harmonic colors. Will you traverse its intricate layers?\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52734723260739,"sku":"","price":499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/ElectronicAudioExperimentsPrismaticWall.png?v=1769687724"},{"product_id":"alexander-pedals-forget-me-not","title":"Alexander Pedals Forget Me Not","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eForget-Me-Not is a lot of things. It can be an echo, or a reverb unit. It can sound gorgeous, or incredibly broken. It can make you remember, or cause you to forget everything. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe based Forget-Me-Not on a rare piece of rack gear that simulated reverberation\u2028by using a tapped delay line. This approach has really fallen out of favor in the modern era, replaced by more sophisticated algorithms using all-pass filters for lots of diffusion. We find the old-school method applied here to be unique and charming, and we hope you agree. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eForget-Me-Not lives with one foot in the world of reverb, and the other squarely in the world of delay. It blurs a lot of lines, and can do either or both at once depending on how you use it. Regardless of the way you choose to apply this pedal, we hope that you’ll find it as enchanting and alluring as we do. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCONTROLS :\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eForget-Me-Not features a fully tactile user interface, with no hidden settings or options.\u2028Every parameter, every option, every setting has a dedicated hardware control, for a zero-compromise hands-on experience. Want to tweak something? Turn the knob or flip the switch. Want to save or recall all the settings? We’ve got presets for that! \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTime:\u2028 Sets delay time from 5-900ms \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSwell*: \u2028Sets delay repeat level \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBlend:\u2028 Mixes between direct and delay \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTone: \u2028Controls delay tone filter \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA B C D:\u2028 Sets the volume level for each delay tap \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRate: \u2028Sets the speed of the modulation effect \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDepth: \u2028Sets the intensity of the modulation effect \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDIV:\u2028 Sets tap tempo subdivision \u2028Up: 8th, Mid: Dot 8th, Down: Quarter \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSPACING:\u2028 Sets spacing between delay heads \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUp: Near, Mid: Fa,r Down: Equal \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSPREAD: \u2028Sets the stereo width \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUp: Wide, Mid: Narrow, Down: Mono \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDEGRADE:\u2028 Sets the echo fidelity\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUp: Tras,h Mid: Grit, Down: Clean \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWAVE:\u2028 Sets the modulation wave \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUp: Random, Mid: Square, Down: Sine \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTRAILS:\u2028 Sets the bypass trails level\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUp: Off, Mid: Forever, Down: Faded \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTap*:\u2028 Tap twice to set delay time Hold to swell feedback. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePreset:\u2028 Tap to select preset 1-4 or Live Mode. Hold to save preset. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBypass:\u2028 Tap to turn effect on or off \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCONNECTIONS \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eForget-Me-Not features all connections on the top side panel. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInput (TRS STEREO) - Switchable between mono and TRS stereo. In mono mode, input is taken from the jack tip. In stereo mode, the Left input is the tip and Right is the ring. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOutput R - right-channel output. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOutput L (TRS STEREO) - left-channel output. If Output R is not used, this jack also carries both output channels with Left as tip and Right as ring. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePower: Center-negative, 9V DC only. Forget-Me-Not requires 250mA minimum, isolated power required. Do not use a power supply with an output higher than 9V. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUSB: Mini-B connection for USB MIDI and firmware updates.\u2028\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMultiJack: Switchable between Expression, Tap Tempo Footswitch, and MIDI input. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePRESETS \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHow do you make quick changes on a pedal that has 10 knobs, six toggle switches, and literally millions of possible permutations? PRESETS.\u2028Forget-Me-Not allows you to save up to 32 presets that contain the entire state of the pedal. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52738629108035,"sku":"","price":459.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/AlexanderPedalsForgetMeNot.png?v=1769099394"},{"product_id":"alexander-pedals-space-force","title":"Alexander Pedals Space Force","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMankind has long known of the amazing properties of reverberant spaces. From the brilliant\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ereflections of the largest concert halls to the splashy depths of your own shower, every\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003espace has its own characteristic sound. The Space Force is our love letter to the sounds of\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“elsewhere,” and features eight ingenious ways to add some space to your place, whether\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eyou’re reaching for the stars or just trying to make your world a little bigger.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52738899345731,"sku":"","price":289.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/AlexanderPedalsSpaceForce.png?v=1769691244"},{"product_id":"gfi-system-solis-ventus","title":"GFI System Solis Ventus","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSolis Ventus is a super‐refinement of our best‐selling Specular Tempus. We rebuilt everything from the ground up, with new high performance 32‐bit ARM processors, and 5+ years worth of R\u0026amp;D, to deliver the optimal experience of playing with two of the most ubiquitous time‐based effects in our sonic manipulation toolbox.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSolis Ventus is dual‐engine Delay and Reverb pedal, able to run two algorithms at once, with arbitrary pairings, ordering, and routings. In addition to several new exciting algorithms, the entire algorithms library from the Specular Tempus have been brought back, improved and expanded, for the Solis Ventus. On top of this, we added a 40‐second stereo looper for you to build that ethereal accompaniment soundscapes with ease. Last but not least, a simple and intuitive, yet sophisticated, user interface ensures seamless navigation through the immense depth of Solis Ventus.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt the time of release Solis Ventus will have 15 Delay algorithms and 8 Reverb algorithms. More will be continually added in future updates.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeatures List :\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDual engine Delays and Reverbs\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRuns two algorithms simultaneously\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRealize any delay‐delay, reverb‐reverb, or delay‐reverb pairing \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnalog dry‐through\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e96 presets\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrue spillover and bypass trails\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFlexible routing schemes: Series, Parallel, and Dual Mono\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIndependent Crossover filters and Dynamics engines\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFlexible usage: Preset Mode or Stompbox Mode\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStereo Looper (40 seconds max)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAux switches (up to 3 buttons) control input\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e2 expression pedal inputs (with CV control compatibility)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMIDI Input and MIDI Thru\/Clock\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHigh‐contrast OLED display\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBuffered or True bypass\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTechnical Specifications:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInput impedance: 1 Meg Ohm\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOutput impedance: 500 Ohm\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMax input level: +7.23dBV=9.45dBu=2.3VRMS=6.5Vpp\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSNR: 115 dB typical\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAD\/DA: 24‐bit, 40 KHz\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInput jack: 1\/4” TS\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOutput jack: 1\/4” TS\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMIDI In\/Thru jacks: 1\/4” TS\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePower source: 9VDC (negative center, 2.1 mm inner diameter)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCurrent draw: \u0026lt; 350 mA\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDimension: 17 x 12 cm (6.7 x 4.6 inch)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52826805272899,"sku":"","price":599.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/GFISystemSolisVentus.png?v=1769100996"},{"product_id":"gfi-system-skylar","title":"GFI System Skylar","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSKYLAR\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSkylar packs four quintessential GFI System reverb algorithms into a compact pedal that is straightforward and easy to use. Intuitive user interface coupled with an LCD screen make it a breeze to navigate through Skylar’s vast sonic palette and features.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInput\/Output\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSkylar supports both mono and stereo input\/output. Mono connection is made using standard TS patch cables while stereo connection is made via TRS patch cables (a splitter-Y cable may be needed).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExternal control\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA multi-purpose jack provides connection to an expression pedal or tap-tempo pedal. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExpression pedal input enables expressive control of reverb parameters, and the external tap-tempo can be used to control the tremolo speed in the Tremble algorithm.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52826911801667,"sku":"","price":279.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/GFISystemSkylar.png?v=1769703501"},{"product_id":"rainger-fx-reverb-x","title":"Rainger FX Reverb X","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is a digital reverb mini-pedal, simple to use, but giving a whole selection of unique – and very useful – new sounds. It’s based around an FV-1 chip, and comes with an Igor expression pad for real-time control. ‘Size’ adjusts the length of the effect, and ‘Level’ the amount of it you hear (the original guitar signal is always present).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDISTORTION\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Reverb-X really comes into its own in how it can deal with the reverb. It’s based on the excitement of plugging an overdrive pedal after a reverb pedal; it’s ‘wrong’, but everything you play sounds huge and epic, exaggerated and full of texture and detail… Here, an overdrive circuit – after the reverb – can be blended in via the ‘Distn’ knob. Have it totally clean, a bit gritty, quite rough, or dial in a fully burnt-out glow.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt all times, however, the input signal is unaffected; if you already use an overdrive pedal, the Reverb-X can add a whole new dimension of distortion to your sound! If your tone is clean however, it stays clean – no matter how much distorted reverb you dial in.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUsually though, in this situation when you stop playing, the hum from your cable alone would be as loud as the notes you were playing! So you have to have a noise gate involved…\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNOISE GATE\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is always on, either before the reverb and distortion circuits, unobtrusively silencing hums and buzzes when you’re not playing. Switch in the ‘Gate’ button though, and this changes to post reverb and distortion. It opens when you play, and closes hard when you stop, totally cutting off any reverb that’s happening – giving an incredibly dramatic and original effect. Sure, it’s a gated reverb, but play a long riff and gate stays open, giving the full reverberation as set by the ‘Size’ knob. Stop playing and the whole thing is shut down, giving a tight control over it – like a hard-edited ‘sample’.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe ‘input’ control and ‘Overload’ LED insure that the output is always as loud – and clean (if desired) – as possible. The ‘Out’ knob has plenty of spare output volume on tap.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIGOR\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePlug in the Igor expression pad and you get no reverb at all. However as you start to lean on it the signal gets diverted to the waiting reverb pathway, and a bloom of reverberation grows behind whatever notes you’re playing. Take your foot off of Igor and you go back to fully dry – but the reverb decays on its own.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOr have the ‘Gate’ switch in, and the added reverb is cut short, like some twisted dub-meister at the controls, messing with everyone’s depth perception….\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe two types of reverb available are set to cover the widest range of musical situations as possible. The Reverb-X is an incredibly flexible, easy-to-use, and inspiring effect – all in a deeply cute package!\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52827195343171,"sku":"","price":289.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/RaingerFXReverbX.png?v=1769704142"},{"product_id":"rainger-fx-pull-focus","title":"Rainger FX Pull Focus","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Pull Focus is a high gain distortion pedal, with either a reverb or chorus effect fading in after a short while. It has a noise gate too, which unobtrusively keeps the pedal silent when you’re not playing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe distortion is all analog, the reverb and chorus are digital.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt’s a multi-effects pedal, of a very particular kind….\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDistortion\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe distortion is made from our favourite overdrive circuit, but going into the back end of the Tonebender circuit that we made for Colorsound when we did our collaboration on their Freakenbender pedal a while back. We worked hard to make it as balanced, versatile, powerful and silent as possible, ending up with an incredibly satisfying chunky tone. Full-range, not very scooped, tonally.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThere are ‘volume’, ‘tone’, and ‘gain’ controls.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFade In\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDeveloped originally for our Break Box pedal, the Pull Focus has the same delayed fade-in for the chorus effect - but with an adjustable fade-in ramp; with the ‘ramp’ knob fully CCW the effect is in all the time, but as you start to turn it the effect takes a short while (less than a second?) to appear after the pick attack. As you turn it more, this delay time gradually increases - to around eight seconds maximum, until at fully CW it never actually comes in at all, ie in practice you can turn off that effect totally if you only want distortion.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChorus Or Reverb\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePress the ‘effect’ switch and the chorus sound is replaced by a spectacular digital reverb effect! \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSo with lots of short notes (eg fast soloing) the guitar is totally dry all the time, but intense and powerfully distorted. But play a long note or chord and it blooms into a huge spatial thing; all your long bent notes automatically grow into massive, swooping sounds, full of emotion and with the ambience of a hall-sized reverb! It’s incredibly fun and dynamic to play through!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHowever with the next note you play it dramatically snaps off hard - back to totally dry, close, and focussed. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSo the listener’s attention is drawn from up-close and in-your-face to a more distant reverbed sound - and then back; just as in film-making, a ‘pull focus’ leads the viewers attention from a face close by (a further-away face being blurred) to a face further away (the close-by one now being blurred). \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Pull Focus pedal is a very ‘3D’ effect, your guitar automatically moving from near to far away in an original and exciting way.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere’s a dual-purpose ‘effect’ knob, which - when using chorus - adjusts the speed of the modulation. When using reverb though this knob decides the depth and size of the reverberation. This goes from a cavernous effect right down to an almost-not-there small room-y thing; great for when you don’t want the obvious reverb mushroom cloud, but you’d like your long-held notes to seem…. somehow extra profound! But in a way that the audience may not even consciously register…\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eActive Sustain\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis fading-in of the secondary effect is actually ‘active sustain’, a definite increase in your guitar signal level - as opposed to the usual dying away. On the chorus setting, this feels like a churning wave coming from behind to lift you forwards. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWith reverb it’s a monster growing out of your guitar!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe chorus speed goes from a very slow twist (think Jane’s Addiction\/Smashing Pumpkins double-tracked?) through a mid-tempo obvious modulation (Bowie’s ‘Lodger’?) up to a fast psychotic wobble (Devo? Spongebob\/Peewee Herman??)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere’s an on\/off status LED, plus a large ‘ramp’ LED - which gives a visual indication of what’s going on sonically.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere’s a ‘quiet guitar boost’ switch - to ensure the noise gate and pick detection circuits work great whatever kind of instrument you’re using.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt’s true bypass, and housed in another deeply cool Rainger FX custom enclosure. Desk-style, a slight flare to it, and symmetrical - to help all our OCD musician friends.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52827346993475,"sku":"","price":289.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/RaingerFXPullFocus.png?v=1769705206"},{"product_id":"milkman-sound-f-stop-black","title":"Milkman Sound F-Stop (Black)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe F-Stop brings two effects found in vintage American tube amplifiers into one pedal. The combination of a tube driven spring reverb with pulsating \"bias\" tremolo was first introduced in the early 1960s and has become a standard sound for guitar players and other instrumentalists ever since.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe F-Stop has been designed to bring classic tube amplifier effects into a small package that runs off of a 9VDC pedal power supply. Internally, the F-Stop has 18v of headroom so it can live as comfortably at the end of your signal chain as it does at the beginning. The spring portion of the pedal is digital, but the guitar signal path and tremolo circuit is 100% analog. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe sound of bias tremolo and spring reverb is unmistakable, and the F-Stop uses modern electronics to achieve an authentic recreation of these effects with similar circuit topography as found in tube amplifiers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSPECS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9VDC Power Input @200mA\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRear trim pot for Tremolo output level\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIndependent switching of Reverb and Tremolo effects\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEFFECTS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSpring Reverb and VCA Tremolo\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDIMENSIONS \u0026amp; WEIGHT\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5\" x 3\" x 2-1\/4\" 1lb\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52949992702275,"sku":"","price":299.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/MilkmanSoundF-Stop_Black.png?v=1769705716"},{"product_id":"normal-devices-delay-cascade-cannot-find-product","title":"Normal Devices Decay Cascade","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlends reverb and cascading analog amplification stages to create multilayered textures. Inspired by the sound of running reverb into distortion but with much more blending and layering possibilities, this pedal can produce lo-fi subtlety or slabs of disintegrated noise. Or both.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDial in a reverb model ranging from a light bounce to saturated drones. The reverb mix blends with a versatile drive channel, with a voltage sag gate to add to the deterioration. Mix the dry, reverb, and distorted reverb signals to produce deep and layered tones. This then passes through a preamp stage inspired by 1960s test amplifiers that produces a boost of raw gain and crackling gated textures, as well as an optional low pass filter. Add a little dust and murk, or create the sound of amp death. Thankfully, there is a volume control.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMake sounds like:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Tastefully gritty lo-fi echo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Woozy, dying battery overdrives\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Dual tones layering distorted and clean reverb\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- A 78 record found buried in the woods\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- \"Something’s not right\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Harsh-ambient obliteration\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Decay Cascade is great at broken sounds with gated and dusty reverb artifacts. The drive, preamp and sag settings are quite interactive, with plenty of options for fine-tuning.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eControls:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMODE: Reverb Models\/\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHall with slow pitch drift. Dark and woozy.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSpring with very long decay. Bright, full, and textural.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLofi bucket brigade echo. Primitive and bouncy.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLEVEL: Set a reverb balance between 100% wet and dry signal.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDECAY: Set the reverb time from a short reflection to long drones.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDRIVE: A parallel distortion channel that the reverb mix goes through, ranging from light overdrive to high gain.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSAG: Voltage starve the distortion circuit to produce a gated fuzz effect.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMIX: Create a layered mix of the original clean\/reverb mix and the drive channel.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAMP: Preamp setting (top to bottom)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRegular amplification stage. High gain boost with a low pass filter. Very loud and murky with gated “dust” trails. High gain boost with no filter. Extremely loud and harsh with gated “dust” trails. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVOLUME: Output. Loudness. Unquiet.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecifications:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e145mm x 120mm x 39mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1\/4\" TS mono audio input and output\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRequires 9V power from a centre-negative 2.1mm jack\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e60mA current draw\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNo battery compartment.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52951218651459,"sku":"","price":369.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/NormalDevicesDecayCascade.png?v=1769706818"},{"product_id":"vongon-ultrasheer","title":"Vongon Ultrasheer","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUltrasheer is a stereo reverb and vibrato combination inspired by the early digital studio effects units of the late 1970’s, capable of moving you from a lush warbled space to a shallow room through an intuitive and satisfyingly tactile interface.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eReverb\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe reverb algorithm is based on the plate reverb sounds of the classic Lexicon 224 from 1978. The digital processing is downsampled to 16 bits and follows the topology described in the Dattorro paper linked here. This mix of legacy digital processing with modern high quality hardware creates a retro lush sound that we love.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVibrato\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe vibrato is a smooth and transparent digital pitch shifter that preserves the full bandwidth of your input signal and does not darken the sound which is often found in the analog counterparts. Two modulation waveforms are available, “cycle” which is a sine wave for classic Leslie-speaker-type sounds and “random” which is a smoothed sample and hold waveform that creates pitch warbles similar to a warped vinyl or sun-baked cassette.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDynamic Stereo Routing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe digital processing automatically adjusts for mono in\/mono out, mono in\/stereo out, or full stereo based on the configuration of input and output cables plugged into the device.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWalnut Enclosure\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHoused in a high quality single block of dark walnut that is CNC routed, hand sanded and polished.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeatures + Specifications\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e32 bit floating point DSP (except for 16 bit vintage reverb algorithm)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e24 bit \/ 48 khz digital converters\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInput impedance: 53K Ohms\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOutput impedance: 40 Ohms\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnalog buffered bypass\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSoft touch foot switches\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStereo \/ Mono modes automatically selected based on the cables plugged in\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGenuine Rogan knobs made in USA\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWooden enclosure made from a single block of dark walnut\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMatte black aluminum faceplate with gold traces\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePower - 2.1mm 9VDC Center Negative 180mA\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDimensions - 6.5\" wide, 5.5\" long, 2.25\" tall\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDesigned and built in Oakland, California U.S.A.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52951339860291,"sku":"","price":565.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/VongonUltrasheer.png?v=1769707190"},{"product_id":"fish-circuits-astronomie","title":"Fish Circuits Astronomie","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe ASTRONOMIE is a digital spring reverb with 3 decay settings, 3 tone presets, and an adjustable feedback. That's pretty common. What's not as common is the pedal’s ability to dynamically lower the effect’s volume with each note picked. Imagine having a reverb that swells in automatically as you let your chords ring, or playing a tight rhythmic riff which is not muddied while being able to have a long reverb trail once you stop playing. We’re not smart enough to think of every possible way to use this effect, but it’s easy to see how vast the possibilities are once the ASTRONOMIE falls into the hands of a creative mind.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Trigger” adjusts sensitivity, arguably the most important control on this pedal. It allows not only to adjust how easily the effect’s volume will dip, but also how deep. Turning it completely counterclockwise will basically deactivate that part of the circuit. And as it is turned clockwise, the reverb’s volume will gradually duck more with each pick stroke until just about anything will trigger a volume dip at the clockwisest setting (I think we just invented a word!). Different guitars and pickups will hit the pedal differently. And a compressed, distorted, or overdriven signal will not be as dynamic, of course, so any change upstream could mean a need to readjust Trigger. Trigger also works hand in hand with the Recovery control, and the key to understanding these two is to know that they affect one another. For example, a faster Recovery means that you will need a more aggressive Trigger to achieve the same depth in volume dip, and vice versa. Turning one of these knobs often means readjusting the other.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Recovery” adjusts how fast the reverb fades back in. This can go from 1-2 seconds when counterclockwise to pretty much instantaneous when it is fully clockwise, and everything in between. As mentioned earlier, it is deeply affected by the Trigger control. You could view the Trigger control as what you will feel in your hands and the Recovery control as what you will feel in your ears. Also, just for fun, when at its clockwisest position (we used that word again), it’ll sound glitchy. Whether that’s what you want or not, player’s discretion is advised.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Feedback” dials in how much of the reverb should feed into itself. The signal being fed back is filtered, meaning that it doesn’t have as much low end anymore which keeps everything tighter and manageable. However with Feedback at max and decay set to Long, the results might become disorderly, so to speak. Again, you’ve been warned.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLeft Toggle. We thought we were so clever not labeling our toggles, well look at us now. Anyway, the Left Toggle allows to set a minimum reverb amount. That minimum is set by us, thank you very much, and is what felt right to us. The top position is the full volume dip, and the bottom position is the Fish Circuits approved minimum.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRight toggle. The right toggle (with the circles) controls the tone of the reverb. The bottom position is full range, middle is a bit tighter and leaves more room for the clean signal, and the top position has even less low end which can feel ethereal, airy, celestial, or any other synonym in that lexicon.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Mix” controls how much reverb and\/or clean sound is present. Counterclockwise means less reverb, clockwise means more. At zero, there is no reverb at all in case you want to use this pedal as a buffer, which is not recommended but possible. On the opposite end there will be no clean signal at all, which can be fun, but expect a slight delay.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShort, Medium, Long. Short decay, Medium decay, and Long decay. This controls the length of the reverb effect before it naturally fades out. It is affected by how much Feedback is present and by the right toggle’s tone setting, but each position on this rotary switch has a different character such that everything else will probably need to be tweaked when going from one setting to another.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52951663444291,"sku":"","price":419.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/FishCircuitsAstronomie.png?v=1769772327"},{"product_id":"echo-fix-ef-p2","title":"Echo Fix EF-P2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Echo Fix EF-P2 is a real Spring Reverb pedal that packs a huge sound into a small enclosure.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBoasting a 100% analog signal path, this pedal delivers a classic, warm, ambient reverb effect, and would be a valuable addition to any effect arsenal.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe EF-P2 features a three-spring reverb tank, adjustable Spring Drive, Bass \/ Treble EQ controls, and Reverb Volume control.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith a footswitch for reverb bypass and also a direct signal mute footswitch, the EF-P2 can also be used as an outboard effect in recording studios.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith increased voltage rails for studio use, the EF-P2 can accept line level inputs from synths and other audio devices, not just guitar.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Echo Fix EF-P2 Spring Reverb Pedal is a must-have for any musician looking to add more depth and atmosphere to their sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeatures:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Real spring reverb pan\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Spring drive control\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Spring drive control\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Treble control\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Reverb Level Control \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Soft momentary switching for noiseless \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e Bypass and Direct Mute switching \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Increased internal power supply voltage \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e rails for increased dynamic range\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Illuminated reverb tank viewing window\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePower - 9VDC Centre Negative\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCurrent - 200mA minimum\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInput Impedance - 1MΩ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOutput Impedance - 1KΩ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDimensions - 160mm x 130mm x 60mm (6.29\" x 5.11\" x 2.36\")\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":52981612478787,"sku":"","price":379.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/EchoFixEF-P2.png?v=1769772469"},{"product_id":"caroline-guitar-company-meteore","title":"Caroline Guitar Company Météore","description":"\u003cp\u003eI\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003enspired by the ultra-modern line 14 of the Paris Métro and its sleek platforms of glass, steel and tile that add all kinds of cool sonic artifacts to the space, the MÉTÉORE™ (pronounced may-tay-or) is our take on reverb.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe’ve kept your original signal path analog and pure, while giving you overdrive and regeneration controls to take you from spring reverb sounds to something much bigger. The controls are very interactive with each other, and as per Caroline tradition, this pedal can get VERY loud. You know, something something power, responsibility, blah blah blah…\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"labelContainer mr2 mt-half\"\u003e\n\u003cdiv role=\"button\" class=\"flex pointer\" tabindex=\"-1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":53129750970691,"sku":"","price":259.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/CarolineGuitarCompanyMeteore.png?v=1769782593"},{"product_id":"fairfield-circuitry-placeholder","title":"Fairfield Circuitry Placeholder","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA type of reverb that sits between the mechanical and algorithmic devices of yesteryears. Creating uncanny liminal spaces, reminiscent of a time that never was. A time that is now. This is not a delay that sounds like reverb, but a reverb that sometimes sounds like a delay. Yes, the signal path is all analogue. Expect noise and that magic we all love.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePlaceholder is an analogue implementation of a digital reverb algorithm using BBDs, mixers, VCAs and simple yet tasty filters. The topology in question is called Householder, allowing quick echo density even with only three delay-lines.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere's no denying the power of algorithmic representation of our daily activities. But let's not forget that the complex-system underlying our lived experience, the background noise and uncertainty, is intrinsic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe tension between a perfect algorithm and the limits of analogue implementation has given much depth to the experience of designing this product. Hopefully, this will transpose to the user’s experience as intuitiveness and inspiration.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe people of F\/C\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":54302643880259,"sku":null,"price":549.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/Fairfield_Reverb_STOCK_1.jpg?v=1774449416"},{"product_id":"alexander-pedals-now-we-are-ghosts","title":"Alexander Pedals Now We Are Ghosts","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe city remained, its familiar corners etched in shadow, its streets whispering with memories no living souls carried. Our laughter had vanished into cracks in the pavement, leaving only silence where voices once lingered. Moving through the empty avenues, belonging nowhere.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNow we are ghosts\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe device is a small metal box, humming faintly, remembering songs it can't quite play. when activated, it releases long uneven tones that pass between distortion and clarity. Its voice floats on air, hollow and fragile. Exhaling into the void, its heartbeat replaced by an echo.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKNOBS:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDECAY: Adjusts reverb decay time\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSPACE: Adjusts stereo width and space effect intentsity\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBLEND: Adjusts wet-dry mix. Full wet mix is available at maximum \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e setting.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLEVEL: Adjusts overall output level\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSENSE: Adjusts auto-swell sensitivity.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e Fully CCW disables the auto-swell\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e Controls LFO depth when active\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRATE: Adjusts auto-swell time.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e Controls LFO rate when active\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNOISE: Adjusts volume of noise source\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDIRT: Adjusts dirt amount and texture.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e High DIRT settings will cause reverb instability\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFREQ: Controls filter cutoff frequency\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRESO: Controls filter emphasis\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTOGGLES:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSWELL: Controls destination of LFO or auto-swell\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFILT: auto-swell or LFO controls filter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePOST: auto-swell or LFO controls wet and dry signals\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePRE: auto-swell or LFO controls dry feed into reverb \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDIR: Controls direction of auto-swell\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDOWN: swells from loud to soft, fade-out\/gated\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUP: swells from soft to lout, fade-in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOFF: swell is disabled, LFO is active\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTYPE: Type of noise source\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTRASH: Hum, pops, and hiss\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePOP: random pops and clicks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHUM: 60-cycle hum\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWARBLE: Reverb modulation control\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC: Slow and wide\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB: Fast and shallow\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA: Subliminal\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFILTER: Filter topology\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHP: High-pass filter, cuts lows\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBP: Band-pass filter, cuts lows and highs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLP: Low-pass filter, cuts highs\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTRAILS: Bypass trails control\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOFF: No trails, reverb is cut off in bypass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eON: Trails persist until reverb dies naturally\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAUTO: Trails are faded out over time to reduce noise\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFOOTSWITCHES:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBYPASS: Bypass or engage the effect\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePRESET: Tap to load presets 1-4 or Live Mode\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e Hold to save the current pedal settings to the active preset\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e Live Mode cannot be saved\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSWELL\/TAP: Trigger manual swell when SENSE knob is CCW\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e Tap Tempo for LFO when activ\u003c\/span\u003e\u003c\/p\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":54302721016131,"sku":null,"price":459.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/Alexander_NWAG_STOCK_1.jpg?v=1774451044"},{"product_id":"jhs-3-series-octave-reverb","title":"JHS Pedals 3 Series Octave Reverb","description":"\u003cul class=\"fx-list product-text__list\"\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eOctave Reverb\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eVia up\/down switch, a high octave or a low octave can be added to the reverb signal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eControls for verb, octave, decay\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eUp\/Down toggle switch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eBypass footswitch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eStatus LED\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eMetal housing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eTrue bypass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eInput: 6.3 mm mono jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eOutput: 6.3 mm mono jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003ePower supply connection: Barrel connector 5.5 x 2.1 mm (negative polarity inside)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003ePower supply via optional 9V DC mains adapter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003ePower consumption: 70 mA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eDimensions (L x W x H) : 112 x 60 x 31 mm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eWeight: approx. 317 g\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"fx-text fx-text--bold\"\u003eNote:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eNo battery operation possible\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":54496599441731,"sku":null,"price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/JHS-Pedals-3-Series-Octave-Reverb-Front.jpg?v=1779382781"},{"product_id":"jhs-3-series-reverb","title":"JHS Pedals 3 Series Reverb","description":"\u003cul class=\"fx-list product-text__list\"\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eReverb\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eFrom the JHS Pedals 3 Series\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eIntuitive control options offer a wide range of possible sounds\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eRanges from small, natural room reverbs to almost endless ambient washes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003ePre-delay switch creates a short delay between the effect and original signal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eTrue bypass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eControls for Verb, EQ, Decay\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003ePre-Delay toggle switch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eBypass footswitch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eStatus LED\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eMetal housing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eInput: 6.3 mm jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eOutput: 6.3 mm jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003ePower supply via 9 V DC power adapter (2.1 mm x 5.5 mm barrel connector, polarity (-) inside, not included)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eCurrent consumption: 74 mA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eDimensions (L x W x H): 112 x 60 x 31 mm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eWeight: approx. 210 g\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\n\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003eMade in the USA\u003c\/span\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"fx-list__item list-item fx-list__item--circle\"\u003e\u003cspan class=\"fx-text fx-text--plus list-item__text\"\u003e\u003cspan class=\"fx-text fx-text--bold\"\u003eNote:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eNo battery operation possible\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":54496604488003,"sku":null,"price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/JHS-Pedals-3-Series-Reverb-Front.jpg?v=1779383013"},{"product_id":"banana-effects-abracadabra-shimmer-reverb-pedal","title":"Bananana Effects Abracadabra Shimmer Reverb Pedal","description":"\u003ch2\u003eBananana Effects Abracadabra\u003c\/h2\u003e\n\u003cp\u003eBananana Effects rewrites the rules of reverb with Abracadabra, an entirely unnatural reverb that shimmers, pitch-shifts, and glitches, pushing the boundaries of reverb. Abracadabra has eight modes, each of them high dosed and can easily create woozy, expansive reverbs. Two\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eExotic\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emodes add a series of harmonics and envelope filters to pitch-shifted reverb; two\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eInfinite\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emodes act as a latching or momentary freeze with pitch-shifting and chorusing effect. Classic Shimmer reverbs with vibrato give you ethereal, expansive sounds, and two just plain weird modes with an Error Delay mode that adds a delay and 2x reverse delay that have independent controls; the last mode is a S\u0026amp;H Noise, which adds noise to an ambient reverb with randomly filtered sounds. If you have enough conventional reverbs and want something unique without taking up too much space, the Bananana Effects Abracadabra is the yellow friend for you.\u003c\/p\u003e\n\u003ch2\u003eAbracadabra Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eUnnatural shimmer reverb\u003c\/li\u003e\n\u003cli\u003e8 Modes: Exotic Oct up and 5th up, Vibrato with Oct up and Oct + 5th, Infinite with Chorus for Oct up and Oct down, Error Delay, and S\u0026amp;H Noise\u003c\/li\u003e\n\u003cli\u003eCompact\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"product__info-short\" id=\"specification\"\u003e\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 2 x 3.7 x 1.9 inches \/ 52 x 93 x 49mm\u003c\/li\u003e\n\u003cli\u003ePower Specs: 9VDC Center Negative (PSU not included)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Soft Noise Audio","offers":[{"title":"Default Title","offer_id":54521105285443,"sku":null,"price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/files\/11_efe3754c-4324-4026-ac8e-e771219b344f.png?v=1780407776"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0899\/3964\/0643\/collections\/IMG_2102.jpg?v=1751968849","url":"https:\/\/softnoiseaudio.com\/collections\/reverb.oembed","provider":"Soft Noise Audio","version":"1.0","type":"link"}